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  1. Can a Musical Work Be Created?Ben Caplan & Carl Matheson - 2004 - British Journal of Aesthetics 44 (2):113-134.
    Can a musical work be created? Some say ‘no’. But, we argue, there is no handbook of universally accepted metaphysical truths that they can use to justify their answer. Others say ‘yes’. They have to find abstract objects that can plausibly be identified with musical works, show that abstract objects of this sort can be created, and show that such abstract objects can persist. But, we argue, none of the standard views about what a musical work is allows musical works (...)
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  • There are No Things That are Musical Works.Ross P. Cameron - 2008 - British Journal of Aesthetics 48 (3):295-314.
    Works of music do not appear to be concrete objects; but they do appear to be created by composers, and abstract objects do not seem to be the kind of things that can be created. In this paper I aim to develop an ontological position that lets us salvage the creativity intuition without either adopting an ontology of created abstracta or identifying musical works with concreta. I will argue that there are no musical works in our ontology, but nevertheless the (...)
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  • How to be a Nominalist and a Fictional Realist.Ross P. Cameron - 2013 - In Christy Mag Uidhir (ed.), Art and Abstract Objects. Oxford University Press. pp. 179.
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  • Wide Causation.Stephen Yablo - 1997 - Noûs 31 (s11):251-281.
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  • Wide causation.Stephen Yablo - 1997 - Noûs 31:251-281.
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  • Abstract Objects: A Case Study.Stephen Yablo - 2002 - Philosophical Issues 12 (1):220-240.
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  • Abstract Objects: A Case Study.Stephen Yablo - 2002 - Noûs 36 (s1):220 - 240.
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  • Against Musical Platonism.Stefano Predelli - 1995 - British Journal of Aesthetics 35 (4):338-350.
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  • Musical works as eternal types.Julian Dodd - 2000 - British Journal of Aesthetics 40 (4):424-440.
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