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  1. Mimesis as Make-Believe.Kendall Walton - 1996 - Synthese 109 (3):413-434.
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  • The Puzzle of Imaginative Resistance.Tamar Gendler - 2000 - Journal of Philosophy 97 (2):55.
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  • Pretense and representation: The origins of "theory of mind.".Alan M. Leslie - 1987 - Psychological Review 94 (4):412-426.
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  • A Theory of Causal Learning in Children: Causal Maps and Bayes Nets.Alison Gopnik, Clark Glymour, Laura Schulz, Tamar Kushnir & David Danks - 2004 - Psychological Review 111 (1):3-32.
    We propose that children employ specialized cognitive systems that allow them to recover an accurate “causal map” of the world: an abstract, coherent, learned representation of the causal relations among events. This kind of knowledge can be perspicuously understood in terms of the formalism of directed graphical causal models, or “Bayes nets”. Children’s causal learning and inference may involve computations similar to those for learning causal Bayes nets and for predicting with them. Experimental results suggest that 2- to 4-year-old children (...)
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  • Introduction: Understanding counterfactuals and causation.Christoph Hoerl, Teresa McCormack & Sarah R. Beck - 2011 - In Christoph Hoerl, Teresa McCormack & Sarah R. Beck (eds.), Understanding Counterfactuals, Understanding Causation: Issues in Philosophy and Psychology. Oxford:: Oxford University Press. pp. 1-15.
    How are causal judgements such as 'The ice on the road caused the traffic accident' connected with counterfactual judgements such as 'If there had not been any ice on the road, the traffic accident would not have happened'? This volume throws new light on this question by uniting, for the first time, psychological and philosophical approaches to causation and counterfactuals. Traditionally, philosophers have primarily been interested in connections between causal and counterfactual claims on the level of meaning or truth-conditions. More (...)
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  • Genuine Rational Fictional Emotions.Tamar Szabó Gendler & Karson Kovakovich - 2005 - In Mathew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Malden, MA: Wiley-Blackwell. pp. 241-253.
    The “paradox of fictional emotions” involves a trio of claims that are jointly inconsistent but individually plausible. Resolution of the paradox thus requires that we deny at least one of these plausible claims. The paradox has been formulated in various ways, but for the purposes of this chapter, we will focus on the following three claims, which we will refer to respectively as the Response Condition, the Belief Condition and the Coordination Condition.
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  • (1 other version)Truth in fiction.David K. Lewis - 1978 - American Philosophical Quarterly 15 (1):37–46.
    It is advisable to treat some sorts of discourse about fiction with the aid of an intensional operator "in such-And-Such fiction...." the operator may appear either explicitly or tacitly. It may be analyzed in terms of similarity of worlds, As follows: "in the fiction f, A" means that a is true in those of the worlds where f is told as known fact rather than fiction that differ least from our world, Or from the belief worlds of the community in (...)
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  • (4 other versions)Causation.David Lewis - 1973 - Journal of Philosophy 70 (17):556-567.
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  • Imagining and believing: The promise of a single code.Shaun Nichols - 2004 - Journal of Aesthetics and Art Criticism 62 (2):129-39.
    Recent cognitive accounts of the imagination propose that imagining and believing are in the same “code”. According to the single code hypothesis, cognitive mechanisms that can take input from both imagining and from believing will process imagination-based inputs (“pretense representations”) and isomorphic beliefs in much the same way. In this paper, I argue that the single code hypothesis provides a unified and independently motivated explanation for a wide range of puzzles surrounding fiction.
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  • Experiencing Narrative Worlds: On the Psychological Activities of Reading.David Herman & Richard J. Gerrig - 1997 - Substance 26 (1):167.
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  • Young Children are Reality-Prone When Thinking about Stories.Deena Skolnick Weisberg, Paul Bloom, David M. Sobel & Joshua Goodstein - 2013 - Journal of Cognition and Culture 13 (3-4):383-407.
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  • What Belongs in a Fictional World?Deena Skolnick Weisberg & Joshua Goodstein - 2009 - Journal of Cognition and Culture 9 (1-2):69-78.
    How do readers create representations of fictional worlds from texts? We hypothesize that readers use the real world as a starting point and investigate how much and which types of real-world information is imported into a given fictional world. We presented subjects with three stories and asked them to judge whether real world facts held true in the story world. Subjects' responses indicated that they imported many facts into fiction, though what exactly is imported depends on two main variables: the (...)
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  • Pretense, Counterfactuals, and Bayesian Causal Models: Why What Is Not Real Really Matters.Deena S. Weisberg & Alison Gopnik - 2013 - Cognitive Science 37 (7):1368-1381.
    Young children spend a large portion of their time pretending about non-real situations. Why? We answer this question by using the framework of Bayesian causal models to argue that pretending and counterfactual reasoning engage the same component cognitive abilities: disengaging with current reality, making inferences about an alternative representation of reality, and keeping this representation separate from reality. In turn, according to causal models accounts, counterfactual reasoning is a crucial tool that children need to plan for the future and learn (...)
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  • What does Batman think about spongebob? Children's understanding of the fantasy/fantasy distinction.Deena Skolnick & Paul Bloom - 2006 - Cognition 101 (1):B9-B18.
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