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Ovid's Canace: Dramatic Irony in _Heroides_ 11

Gareth Williams

Classical Quarterly 42 (01):201- (1992)

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Callimachus' Hymn to Zeus.N. Hopkinson - 1984 - Classical Quarterly 34 (01):139-.details Recent work on Callimachus has tended to concentrate on the technicalities of his poetry. Commentaries on the Hymns have dealt exhaustively with vocabulary, metrics, Homeric allusion, historical background. What remains to be done is to use these detailed pieces of work in readings of the individual poems, showing how the commentator's minutiae can be assimilated into an overall view of each hymn. In Hellenistische Dichtung Wilamowitz attempted such an appreciation; but since his time literary approaches have changed considerably. With the (...) Download Export citation Bookmark 9 citations
The Dramatic Synopses Attributed to Aristophanes of Byzantium.A. L. Brown - 1987 - Classical Quarterly 37 (02):427-.details This is, in effect, an extended footnote to CQ 34 , 271. There, having occasion to discuss the ‘Aristophanic’ synopsis of Aeschylus' Eumenides, I expressed doubt about the value of such synopses in general; and I must now seek to justify this aspersion. I am not claiming any expertise in the study of Hellenistic scholarship, and shall largely be leaving it to others to decide what conclusion to draw from the facts I am pointing out; but my note will have (...) Download Export citation Bookmark 2 citations
The epistolary mode and the first of Ovid's Heroides.Duncan F. Kennedy - 1984 - Classical Quarterly 34 (02):413-.details In April 1741 there appeared a slim volume entitled An Apology for the Life of Mrs Shamela Andrews by a certain Mr Conny Keyber, whose name is generally supposed to conceal that of the novelist Henry Fielding. Shamela, to give the book its more familiar title, was a parody of Samuel Richardson's epistolary novel Pamela: or Virtue Rewarded, which had been published to great acclaim the previous year. In a series of letters purportedly sent to each other by the main (...) Download Export citation Bookmark 8 citations
South Italian Vases and Attic Drama.T. B. L. Webster - 1948 - Classical Quarterly 42 (1-2):15-.details In The Theatre of Dionysus in Athens Dr. Pickard-Cambridge includes a most useful and convenient collection of south Italian vase-paintings which have been held to throw light on the stage-settings of Greek tragedy. He concludes that they give no evidence for Athens in the fifth century and in particular do not justify the assumption that interior scenes were played in a porch in front of the central door. The second conclusion is true, but some of the vases do show that (...) Download Export citation Bookmark 3 citations
South Italian Vases and Attic Drama.A. W. Pickard-Cambridge - 1949 - Classical Quarterly 43 (1-2):57-.details Professor Webster's attempt to prove that south Italian vases of the middle of the fourth century can be used as evidence of Athenian theatrical arrangements of half or three-quarters of a century earlier leaves me unconvinced. It, is true that, as he says, ‘the plays’ which the vases illustrate ‘come from Athens'— at least, most of them probably did: but a number of scenes on the vases are not scenes presented in the plays at all, but are scenes suggested to (...) Download Export citation Bookmark 3 citations

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