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  1. The Place of René Girard in Contemporary Philosophy.Guy Vanheeswijck - 2003 - Contagion: Journal of Violence, Mimesis, and Culture 10 (1):95-110.
    In lieu of an abstract, here is a brief excerpt of the content:THE PLACE OF RENE GIRARD IN CONTEMPORARY PHILOSOPHY Guy Vanheeswijck University ofAntwerp and ofLeuven Iwould like to start by quoting a text which is likely to be recognized by everyone, who is even on a superficial level familiar with the work of René Girard: Desire that bears on a natural object is only human to the extent that it is mediated by the desire of another bearing on the (...)
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  • The Syntax of Violence. Between Hegel and Marx.Vittorio Morfino - 2009 - Historical Materialism 17 (3):81-100.
    The Marxian Thesis about the role of violence in History, as it is enunciated in The Capital, is investigated through an analysis of the Hegelian character of its syntax, and the way Engels develops it; a non-teleological interpretation of the thesis is then defended, one that understands that violence presents a plurality of forms, a pervasive character and a heavy materiality.Trata-se de investigar a tese marxiana acerca do papel da violência na história, tal como enunciada em O Capital, analisando sua (...)
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  • Vorlesungen über die Philosophie der Geschichte.Georg Wilhelm Friedrich Hegel - 1975 - Stuttgart: Reclam. Edited by Theodor Litt.
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  • René Girard and the Legacy of Alexandre Kojeve.George Erving - 2003 - Contagion: Journal of Violence, Mimesis, and Culture 10 (1):111-125.
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  • Enquête sur les idées contemporaines.Jean Marie Domenach - 1981
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  • Des choses cachées depuis la fondation du monde. [REVIEW]Robert Dupree - 1983 - Review of Metaphysics 37 (2):400-401.
    In his Violence and the Sacred, literary critic René Girard presented a bold thesis that revealed his increasing preoccupation with philosophical anthropology. There he claims that all societies are founded in violence that arises from unconscious imitation and subsequent rivalry. Sacred ritual is a means of avoiding, attenuating, or postponing this discord resulting from what he calls "mimetic appropriation." If his contentions in the earlier book seemed striking and original, their correlatives in the present volume are even more radical. In (...)
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