The concept of mechanism is analyzed in terms of entities and activities, organized such that they are productive of regular changes. Examples show how mechanisms work in neurobiology and molecular biology. Thinking in terms of mechanisms provides a new framework for addressing many traditional philosophical issues: causality, laws, explanation, reduction, and scientific change.

The analytical notion of ‘scientific style of reasoning’, introduced by Ian Hacking in the middle of the 1980s, has become widespread in the literature of the history and philosophy of science. However, scholars have rarely made explicit the philosophical assumptions and the research objectives underlying the notion of style: what are its philosophical roots? How does the notion of style fit into the area of research of historical epistemology? What does a comparison between Hacking’s project on styles of thinking and (...) other similar projects suggest? My aim in this paper is to answer these questions. Hacking has denied that his project of styles of thinking falls into the field of historical epistemology. I shall challenge his remark by tracing out the connections of the notion of style with historical epistemology and, more in general, with a tradition of thought born in France in the beginning of twentieth-century. (shrink)

This paper defends an inferential conception of scientific representation. It approaches the notion of representation in a deflationary spirit, and minimally characterizes the concept as it appears in science by means of two necessary conditions: its essential directionality and its capacity to allow surrogate reasoning and inference. The conception is defended by showing that it successfully meets the objections that make its competitors, such as isomorphism and similarity, untenable. In addition the inferential conception captures the objectivity of the cognitive representations (...) used by science, it sheds light on their truth and completeness, and it explains the source of the analogy between scientific and artistic modes of representation. (shrink)

I give a brief introduction to how Feynman diagrams are used. I review arguments to the effect that they are only used as calculation tools and should not be interpreted as representations of physical processes. Against these arguments, I propose to regard Feynman diagrams as visual models that explain, in some respects, how elementary particles interact.

This article examines the forces that have made federal scientific publication an essentially private enterprise. Particular attention is paid to the rise of the scientific community in the American political system. The period under review begins roughly with 1941 and American involvement in World War II, which coincides with the establishment of the Office of Scientific Research and Development (ORSD). The article examines OSRD's method of conducting federal scientific research, its contractual system, and the new publishing paradigm that it engendered. (...) The article concludes in the 1960s with congressional efforts to revise provisions in Title 17, the. (shrink)

Arguably, the development of Feynman diagrams not only resulted in a useful tool for calculations but also brought about deep conceptual changes in the theory of quantum electrodynamics. Starting from this thesis, I try to bring to the fore a particular aspect of it. I maintain that the function of Feynman diagrams is not exhausted by their use in the application of the finished theory to concrete cases. Rather, Feynman diagrams are one of the results of Feynman's more general search (...) for appropriate means of representation. Accordingly, the development of Feynman diagrams is a characteristic example of Feynman's heuristics. (shrink)