This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the (...) particular features of ‘Dostoevskian discourse,’ how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century.” The Bloomsbury Review. (shrink)

This monograph constitutes a response to the criticisms of Christianity outlined in Nietzsche's GENEOLOGY OF MORALS, in which Nietzsche argues that Christianity is a "slave revolt" of the weak--an attempt by the impotent to bring down the vitality of the capable nobility. Scheler's response is multi-faceted but centers on Nietzsche's failure to understand the nature of Christian love. Christianity is not a destructive enterprise trying to bring everyone down to the same low level of its impotent faithful, who must put (...) their trust in the next world because they can get nowhere in this one. Rather, it attempts constructively to bring everyone up to a new level of human flourishing. Christianity's preoccupation with the poor, weak, and marginalized stems from a recognition, through divine love, of the miracle of God's creation and infinite possibilities present even in them. (shrink)