A new collection of critical essays from bell hooks takes as its theme the deep longing for a critical voice. I explore some motifs that operate across the divergent topics of her essays. She writes of the dangers of commodification, of "reassuring" images, of individualism. I also explore the paths of hooks's uniquely black postmodernism: her critique of various essentialisms, her philosophically important conception of subjectivity, and her beautiful and powerful transformations of multiple discourses.

J. M. Kennedy and J. Vervaeke argue that my view of the bodily and imaginative basis of meaning commits me to a mistaken reductionism and to the erroneous view that metaphors actually impose structure on the target domain. I explain the sense in which image schemas are central to the bodily grounding of meaning, although in a way that is not reductionistic. I then show how conceptual metaphors can involve pre-existing image-schematic structure and yet can also be partially constitutive of (...) the conceptual structure of the target domain. In this way human conceptual systems can be both rooted in patterns of our bodily interactions and at the same time can be subject to various kinds of imaginative development and extension. (shrink)