Susanna Siegel's _The Contents of Visual Experience_ (2010) offers a novel defense of the thesis that experiences have representational content. Her argument aims to move from an observation about *all experiences presenting properties* to the conclusion that *all experiences convey content*. While Siegel's emphasis on presentation is an important contribution, I argue that her argument fails. For there are _two_ types of presentation, 'contentful' and 'objectual,' and Siegel's reasoning does not apply to both. I conclude by discussing an implication for (...) the investigation of whether visual experience is rich. (shrink)

How do rational minds make contact with the world? The empiricist tradition sees a gap between mind and world, and takes sensory experience, fallible as it is, to provide our only bridge across that gap. In its crudest form, for example, the traditional idea is that our minds consult an inner realm of sensory experience, which provides us with evidence about the nature of external reality. Notoriously, however, it turns out to be far from clear that there is any viable (...) conception of experience which allows it to do the job. The original problem is to show that thought is rationally constrained by external reality. If sensory experience is to provide the solution--in particular, if it is to provide the answer to sceptical challenges--it must therefore meet two criteria. First, it must itself be `receptive'--i.e., appropriately constrained by external reality. Second, it must be the kind of thing that can enter into a logical or rational relationship with belief--it must already be `conceptual,' in other words. In arguing against the idea that anything could serve both roles, Wilfred Sellars termed this conception of experience "the Myth of the Given.". (shrink)

An important conceptual shift can be discerned within contemporary philosophy of perception. Whereas proponents of the idea that perceptual experience is contentful used to relate perceptual content to truth conditions, authors nowadays prefer to think of perception as evaluable for accuracy. This transition from truth to accuracy becomes particularly clear in the influential work of Susanna Siegel. Importantly, Siegel actually provides an extensive argument for this shift. Yet this article argues that this transition from truth to accuracy conditions is ill‐motivated, (...) confused and pernicious for the so‐called Content View, the view that all experience has truth or accuracy evaluable content. (shrink)

An important motivation for relational theories of color is that they resolve apparent conflicts about color: x can, without contradiction, be red relative to S1 and not red relative to S2. Alas, many philosophers claim that the view is incompatible with naive, phenomenally grounded introspection. However, when we presented normal adults with apparent conflicts about color (among other properties), we found that many were open to the relationalist's claim that apparently competing variants can simultaneously be correct. This suggests that, philosophers' (...) claims to the contrary notwithstanding, introspection does not supply authoritative and unambiguous reason to reject color relationalism. (shrink)

There is a view abroad on which perceptual experience has representational content in this sense: in it something is represented to the perceiver as so. On the view, a perceptual experience has a face value at which it may be taken, or which may be rejected. This paper argues that that view is mistaken: there is nothing in perceptual experience which makes it so that in it anything is represented as so. In that sense, the senses are silent, or, in (...) Austin's term, dumb. Perceptual experience is not as such either veridical or delusive. It may mislead, but it does not take representation to accomplish that. (shrink)

It is close to current orthodoxy that perceptual experience is to be characterized, at least in part, by its representational content, roughly, by the way it represents things as being in the world around the perceiver. Call this basic idea the content view.

This chapter argues, using the method of phenomenal contrast, that causation is represented in visual experience. The conclusion is contrasted with the conclusions drawn by Michotte in his book The Perception of Causation.