Wilhelm Ostwald’s program of a physical energetics is the attempt at a comprehensive description of nature on the basis of the concept of energy. In his book Energetische Grundlagen der Kulturwissenschaft, first published in 1909, Ostwald applies this conception to the area of culture. His central assumption is that cultural phenomena should be described by the energetic notion of “efficiency relation” (Güteverhältnis). His systematic thesis is that science, when organized according to the Machian “principle of economy,” proves as (...) the highest form of cultural expression, since it instantiates the notion of quality relation most efficiently, that is, “with the lowest energy expenditure.” This view echoes August Comte’s “law of the three stages” and is intended to supply it with a scientific, i.e., energetic foundation. Max Weber regarded Ostwald’s energetic theory of culture as a misguided attempt at an absolutization of the methods of concept formation within the natural sciences. As he wrote in his devastating review essay “’Energetische’ Kulturtheorien” (1909), Ostwald transformed a certain world view (Weltbild) into a scientifically frivolous ideology (Weltanschauung). In particular, Ostwald’s adherence to the Comtean law of three stages and the associated hierarchy of the sciences were criticized by Weber as outdated and completely beside the point. According to Weber, the concepts of the cultural sciences are not at all dependent on natural scientific concepts such as ‘energy.’ In his view, culture cannot be reduced to nature. But exactly this seemed to be the principal aim of Ostwald’s program. In this paper, I will critically investigate Weber’s critique of that program. I shall argue that Ostwald’s assumption of a natural basis of culture can be ‘rescued’ as a methodological device, but that Ostwald’s – thoroughly substantialist – view of energy should be discarded as a metaphysical relict of ancient ‘stuff ontology.’ . (shrink)

This article makes the case that a more capacious understanding of the philosophy of naturalistic monism can place in a new light some of the chief intellectual, cultural, religious and political questions and conflicts in the period between the 1840s and 1940s, making this in many ways a “monist century.” It approaches this task from two directions. First, the article argues that monism represented a peculiar type of socially embodied knowledge that is little understood and yet which illuminates one of (...) the important ways in which religion, science, and philosophy coalesced in social and political movements in this period. It approaches this task through an analysis of two key terms in Ernst Haeckel’s epoch-making book "The Riddle of the Universe" (1899). Haeckel invoked the term “world riddles” to identify those points of conflict between dualistic and monist philosophical systems and to claim that the latter had solved this riddles through science. By contrast, this article identifies in the riddles the nodal points upon which the entire monist edifice was erected. Turning to the social embodiment of monism, I argue that rather than approaching monism as philosophy, religion, scientific paradigm or ideology, it is best understood as a novel formation of knowledge captured in the second key term “worldview.” Indeed, in many ways the German concept of Weltanschauung developed in tandem with and through the history of monism, so that monism offers a particularly rich avenue for exploring what made the monist century also an age of worldviews. (shrink)