This paper examines Swami Hariharānanda Āraṇya’s unique interpretation of smṛti as “mindfulness” (samanaskatā) in Patañjali’s Yogasūtra I.20. Focusing on his extended commentary on Yogasūtra I.20 in his Bengali magnum opus, the Pātañjaljogdarśan (1911), I argue that his interpretation of smṛti is quasi-Buddhistic. On the one hand, Hariharānanda’s conception of smṛti as mindfulness resonates strongly with some of the views on smṛti advanced in classic Buddhist texts such as the Satipaṭṭhānasutta and Buddaghośa’s Papañcasūdanī. On the other hand, (...) he also builds into his complex account of the practice of smṛti certain fundamental doctrines of Sāṃkhyayoga—such as mindfulness of the Lord (“īśvara”) and mental identification with the Puruṣa, the transcendental “Self” that is wholly independent of nature—which are incompatible with Buddhist metaphysics. I will then bring Hariharānanda’s quasi-Buddhistic interpretation of smṛti of Yogasūtra I.20 into dialogue with some of the interpretations of smṛti advanced by traditional commentators. Whereas many traditional commentators such as Vācaspati Miśra and Vijñānabhikṣu straightforwardly identify smṛti of I.20 with “dhyāna” (“concentration”)—the seventh limb of the aṣṭāṇgayoga outlined in Yogasūtra II.28-III.7—Hariharānanda argues that smṛti is the mental precondition for the establishment of dhyāna of the aṣṭāṇgayoga. (shrink)

We dwell in a world of physical things. When it comes to the environments that we live in, we usually become oriented to the place, and eventually feel at home in it. Facing death during war and pandemic are times of extreme disorientation, and we sometimes exhibit an impulse to flee. It is no wonder that in those desperate times, some with means and ability consider fleeing to a safer place. But are we morally obliged to act in ways that (...) would ask us to sacrifice our deepest personal commitments and projects for others to meet their commitments and projects? It is argued here that fleeing Bosnia and Herzegovina during wartime, like what happened in the 90s, and fleeing a city during a pandemic may be morally decent actions. However, it is also an issue of political decency and fractured friendships. In cases or war and pandemic, returning home to contribute to the well-being of those they left behind may be morally and politically decent, but the fractured friendships may contribute to normative ambiguity. Why would anyone trust them again and regard them as a loyal friend? Perhaps reestablishing those trusting friendships may require those who remained behind to do what is supererogatory, i.e., doing more than can reasonably be asked of them, which in this case amounts to forgiving those who fled and giving them a second chance by welcoming them back home. (shrink)

Apūrvaṃ vyākaraṇakauśalam ity āstām: “let it remain an example of unprecedented grammatical skill” — thus sarcastically remarks the Dvaitin commentator Jayatīrtha on Śaṅkarācārya’s sleight of hand to turn written saṃbhūti into asaṃbhūti at one of the many difficult turns the Īśa Upaniṣad has in store for his strictly monistic stance. But Jayatīrtha’s own master Madhva is renowned in his own right for his “unprecedented skill” in conjuring up whole unattested smṛti passages to corroborate his interpretations. Indeed, more specimens of (...) “unprecedented skill” are displayed in turn by each of the great bhāṣyakāras of the three conflicting schools — Advaita, Dvaita and Viśiṣṭādvaita — on this Upaniṣad, which on account of its extreme pithiness is singularly suited to demonstrate the length dārśanikas are willing to go to make an authoritative text square each with his own preconceived philosophical outlook. A most telling example of the preemptive force of world-views on actual theoretical practice in the Indian context. (shrink)

This paper is a reflection of Indian culture and civilization in the lights of holy Vedas. The author in this paper considers the Holy Vedas as the origin of enriched and spiritual civilization of India. The Vedas ("knowledge") are a large body of texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of India. The Vedas are apauruṣeya ("not of human agency").They are supposed to have been directly (...) revealed, and thus are called śruti ("what is heard"), distinguishing them from other religious texts, which are called smṛti ("what is remembered"). The Rigveda, containing hymns to be recited by the hotar, or presiding priest; The Yajurveda, containing formulas to be recited by the adhvaryu or officiating priest; The Samaveda, containing formulas to be sung by the udgatar or priest that chants; The Atharvaveda, a collection of spells and incantations, apostrophic charms and speculative hymns. (shrink)