This article argues, against the still-prevailing interpretation of Leonardo Bruni’s De militia – that it is a defense of civic militias against the mercenary system – for an alternative view: that it represents an attempt to reform communal knighthood in accordance with ancient Greek political theory and Roman historical models. It thus aimed to make the reform of contemporary knighthood into an aspect of the revival of antiquity.

ABSTRACT This essay deals with the relation between representation, imitation, and the affects in Don Quixote. In so doing, it focuses on Cervantes’s Platonist poetics and his own views of imitation and the books of knighthood. Although most readers, translators, and critics have until now deemed Cervantes’s use of the word “republic” in Don Quixote unimportant, the word “república” or republic is in fact the entry point to Cervantes’ Platonist critique of the novels of knighthood, and his notions (...) of writing, imitation, and the emotions. (shrink)