Results for 'Alise Coen'

5 found
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  1.  87
    On the Legitimate Means for Political Action: John Dewey and the Spectator’s View on Politics.Coen Schuckink Kool - 2024 - Contemporary Pragmatism 21 (3):299-323.
    As public concern over governmental inaction on climate change grows, it becomes vital to answer the Question of Legitimate Means: what actions can political actors legitimately take to pursue their goals? This paper argues that a particular understanding of the political realm, which I will call the spectator’s view on politics, prevents theorists from confronting this question. Using the philosophy of Noortje Marres, I will demonstrate that the spectator’s view posits a transcendental goal to politics, subordinating any means to the (...)
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  2. Deborah R. Coen, Vienna in the Age of Uncertainty.Donata Romizi - 2009 - In Juha Manninen & Friedrich Stadler (eds.), The Vienna Circle in the Nordic Countries: networks and transformations of logical empiricism. New York: Springer Science + Business Media. pp. 305-307.
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  3.  98
    Workplace Democracy: Collective wisdom as a catalyst for corporate climate action?Gaard Kets & Tjidde Tempels - manuscript
    The field of business ethics has shown an increasing interest in the responsibilities of firms in taking climate action, (cf. Dietz et al., 2018; Heede, 2014). Especially multistakeholder initiatives are heralded as inclusive platforms in which public and private actors together can provide democratically legitimate solutions for taking effective (global) climate action (cf. Arnold, 2016; Bziuk, 2022; Hormio, 2017; Scherer et al., 2016; Tempels et al., 2017). Although this is promising, the effectiveness of these (political) efforts of firms to tackle (...)
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  4. gender and Judaism: in three popular texts.Paul Bali - manuscript
    gender and Judaism in A Serious Man [Coen Bros, 2009], An American Dream [Norman Mailer, 1965] and the Pericope Adulterae.
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  5. Hotels on the Border: Cinematic Situations of Transgression and Transcendence.Melinda Campbell - 2011 - In Hyperborean Wind: Reflections on Design and the City.
    Three important 20th-century American films prominently feature a hotel as the site for morally ambiguous and sexually charged events depicted in the plot: Orson Welles's Touch of Evil (1958), Alfred Hitchcock's Psycho (1960), and Joel and Ethan Coen's Barton Fink (1991). While all three films have a multiplicity of elements that present how hotel spaces open horizons displaying human behaviors both normal and abnormal, moral and immoral, secret and public, sane and insane, the paper presents an extended argument for (...)
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