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  1.  35
    ESTHÉTIQUE DE L'ARTEFACT EXTATIQUE. Art et design.Allen Alain Viguier - 2013 - France: Hotel des Bains Editions.
    Cet essai propose une esthétique contextualiste de l'œuvre d'art dont le paradigme est rapporté à l'artefact de design. Présenté en deux livres, il maintient la spécificité de chacun des deux domaines tout en rendant compte de leurs échanges incessants depuis le début des avant-gardes historiques. Le premier livre débute par l'examen de neuf monochromes rouges imaginés par Arthur Danto et fait appel à l'esthétique institutionnelle de Howard Becker pour les placer dans le contexte des pratiques curatoriales et du "monde de (...)
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  2.  64
    Journey in the Outback.Allen Alain Viguier - 2005 - Artist's book.
    Book, 2005. B&W and colour digital print on paper. A4 format. Unbound. This project was developed during a stay in Broken Hill and the region, it was supported through the artist-in-residence program at the Faculty of Creative Arts at the University of Wollongong in August 2005 and it was edited during the following months. A full copy of the book is held in the collections of the Art Gallery of New South Wales Research Library and Archive; the Médiathèque, Musée du (...)
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  3. This Talk is the Exhibition.Allen Alain Viguier (ed.) - 2016
    "Catalogue" of the exhibition This talk is the exhibition held at Articulate Upstairs in Sydney, 12-20 March 2016. Print on paper 14 x 14 cm. Published by Spec&Editions Collection of the Artist. The exhibition reproduces the catalogue in a suite of larger prints pasted on the walls, with a few additions to it.
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  4. "Why the Curatorial. An Externalist View of Art.".Allen Alain Viguier - 2015 - PlasiCity Press.
    From the book's point of view post-object art did twice better than generally acknowledged. It not only sabotaged the physical object's static substance ontology but also reformulated what an object is. A new object to start again with. By reestablishing the object beyond its physical instability through processual invariance, it can then be observed in the context of its external relations and hence as having no ontological primacy over them. By bracketing the object and suspending its internality, both the object (...)
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