Femtech refers to a growing range of technologies that aim to address health needs typically associated with women’s bodies, such as maternal health, fertility, menstruation, sexual wellness, or contraception. We examine a specific popular femtech product, cycle tracking apps, as an instrument of self-surveillance for greater productivity. Our analysis is grounded in the phenomenology of temporality—we understand workplace surveillance technologies as advancing an internalized sense of time discipline, generating a personal experience of time as a constant call to improve one’s (...) workplace productivity. We then examine how the same dynamic reveals itself in the vocabulary and functionality of popular cycle-tracking apps. Our paper contributes to the existing feminist critiques of femtech, namely, the examination of cycle-tracking apps as promoting a false sense of empowerment and separating users from self-knowledge of their bodies. We argue that cycle-tracking apps perpetuate the attitude that menstruators need to manage their cycle for the sake of reliable participation in productivity demands, creating a disconnect between their internal experience of the temporality of menstruation and external pressures. (shrink)

The present paper examines the possibility of political action in Hannah Arendt’s philosophical framework under the circumstance of oppression. I first analyze Arendt’s concepts of self-display and self-presentation in The Life of the Mind as they map onto her division of the human condition into social and political spheres. While society as a realm of self-display provides an outlet for natural human differences, politics is a space for our self-presentation, that is, our chosen way of appearing to others as their (...) equals via action. Since action is the most important—and consequently broad— category in Arendt, I zoom in on what constitutes specifically political action and argue that the character of political action in Arendt is helpful in our thinking about present-day social and political justice movements. However, I point out that two aspects of Arendt’s system complicate the idea of political action as an instrument that should be accessible to everyone. I title these problems as the “denial of self-display” and “denial of self-presentation.” I argue that to overcome these limitations of Arendt’s framework, we must first recognize that for oppressed groups, navigating both the social and political obstacles involves sacrifices and risks that already constitute political action. Second, we need to understand that our “given” self-displaying identities can become instruments of political action in the Arendtian sense under the circumstances of oppression and discrimination, as embracing them is to embrace the spontaneity and uncertainty of political action. (shrink)

The paper examines the book Martin Buber’s Theopolitics and analyzes the conflict between the hierarchy in nature and in human society. Buber qualifies our relations to nature and to other non-living objects as darker than human relations. This creates an imbalance between the human You and the other type of You. This reflection allows us to think about the meaning of the principle of humanity in relation to personhood, and in relation to different forms of communities (natural, or inorganic communities). (...) It is an important question in the light of “conflicts” and tensions created by the environmental crisis we are facing today. The paper explains how to use the word “conflict” in this context and whether it is justified. (shrink)

This article aims to provide an elaboration of Theodor Adorno’s notion of exact fantasy and its function within his idea of genuine philosophical thought. It is divided into two main parts. In the first one, I explore the features of the notion of fantasy through a comparison of its understanding in Walter Benjamin’s and Adorno’s bodies of work. I further explicate what features Adorno takes over from Benjamin and where the authors’ ideas diverge. I present the role of fantasy in (...) Adorno’s thought as a non-transparent and emotional element of thinking that is responsible for the active arrangement of elements into constellations, which his individual essays are the embodiment of. In the second part, I follow Adorno’s criticism of the situation of late capitalist society in the light of the feature of lack of fantasy that is according to him caused by the influence of modern mass culture. I put this feature in connection to his examination of the phenomenon of boredom, depicting fantasy as an intellectual faculty which enhances intellectual freedom and resists the ”neurotic feelings” inherent in boredom. In the conclusion, I try to defend the possibility of the validity of Adorno’s insights despite their unconcealed intellectual elitism. (shrink)

Recenze: Michael WHITE, Antikrist Galileo. Praha: Academia 2011, 344 s.

This article aims to explore the connection between freedom and language in T.W. Adorno's Notes to Literature, presenting freedom as a liberation of our way of thinking that has the potential to arrive at an unrestrained interpretation of art and representation of the intellectual experience. I also attempt to show some of Adorno's insights into language and freedom in The Essay as a Form and their role in his essays about Valéry and Proust. Namely I focus on the problematics of (...) the suspension of the subject of the artist within the production of the work of art. Through showing the connection between Adorno's insights into problematics of language, freedom and suspension of subject I hope to contribute to the explication of one of the constructive steps of Adorno's philosophy. (shrink)