This work aims to study strategies used in Argentine local development experiences, focussing on industrial design, marketing and entrepreneurship. In order to this purpose, backgrounds are analysed with this approach adding the study of three strategic plans for national and provincial-level that are currently in force. With the analysis of the transport system in the last decade, an accelerated cost increase is evident, resulting in a relatively higher price of distributed products. This situation that was initially perceived as a disadvantage (...) finally set up an opportunity to produce locally. The goal of this paper is to provide tools that contribute to the work shipped by key institutions for local development (public, private and intermediary organisations), and the way these interact with the actors and the territory. In particular, the identification of productive sectors and the selection of goods that can be produced and consumed locally, as a key input for the formulation of projects. (shrink)

Most of the people say, Tagore’s ‘Shesher Kabita’ is the story of Amit Roy. The question arise, who is this Amit Roy? Is Rabindranath Tagore’s Shesher Kabita’ realy a just story of Amit Roy? We know, this Amit Roy and his revolutionary theory of devine love is note of admiration till now. There has been a lot of debate regarding its acceptability of new theory of love. As a male character, so far priority was given to Amit Roy, whether the (...) similar importance was given to female characters? The present paper attempts to explore the answer of these questions and review the novel with analyzing various characters. (shrink)

The year 2014, will be the Charlie Spencer Chaplin or shortly known as world famous Chaplin’s 125 th Birth year. This article is like a tribute to a great person, who was also a musician, actor, comedian, director and music composer. The world still remembers this man not only for his acting skill, as the greatest comedian of all times, but also as a great human being. He shared his sorrow and pain, through which he had gone through in his (...) childhood by his acting. In this article, from Chaplin’s childhood to his personal life, much information behind of his film-making, his struggle period, world-situation of that time period, all this important aspects are critically analyzed. In basis of that, we look upon, one more time, this great man’s ideological thinking, political view, think of how to use cinema as a medium etc. In respect of political ideology & various sources of information, we found that from past to present, presence of various conflict, in this regarding topic. In this article for maintain the honesty, tried to do not suppress any conflict; but try to collect as much as possible information-opinion with honesty for better quality of the article. And that’s why from Charlie Chaplin’s Family life to changed world scenario & other small details has been given so much importance. (shrink)

The emancipation of women has become a strong critical discourse in Bengali literature since the 19th century. Only since the second half of the 20th century, however, have female writers markedly stepped out of the shadow of their male colleagues, and the writings on women become more and more often articulated by women themselves. In this article, I focus on particular concepts of femininity in selected texts of two outstanding writers of different generations, a prose writer, and a woman poet: (...) Mahasweta Debi (b. 1926) and Mallika Sengupta (1960–2011). Analyzing Mahasweta’s female characters, I focus on the issue of the double marginalization of dalit tribal women; we can find here impacts of intersectional discrimination of class, gender and caste. Debi is very radical in her social criticism but is quite reluctant to accept the label of feminism. Mallika, on the other hand, represents a movement among the female writers of her generation that openly declares her support for feminist ideologies, which can be demonstrated on some of the examples referred to here. Another important strand of Mallika’s constructions of femininity are archetypal images — mythological metaphors of femininity (in the Hindu context) which may in some cases be interpreted in accordance with difference feminism, in others as a critique of the essentialized and dichotomous concepts of masculinity and femininity. While Mahasweta’s emancipation drive is more deeply grounded in her field research and journalistic activism in the tribal areas she writes about, Mallika’s has been more strongly linked with the academia and has joined the theoretical feminist discourse. Through a close reading the women’s emancipation discourse of these two protagonists in Bengali literature, we can speak of a shift from a practical, concrete criticism, to a theoretically founded radicalism. (shrink)