In recent decades, theories of representation have undergone a constructivist turn, as many theorists no longer view the represented subject as prior to but rather as an effect of representation. Whereas some critics have claimed that lacking an ontologically pre-given subject undermines the theory of representation, many democratic theorists have sought to reconceptualize representation and its democratic possibilities by turning away from ontological questions altogether. By focusing instead on how representatives come to know the public interest, many scholars now contend (...) that an epistemological account best explains how political representation can foster democratic participation. Yet, theorists of representation have not assessed whether this turn to epistemology has overcome the ontological problems that initially motivated it. This article tracks epistemological defenses of representation to outline two models of political representation that attempt to tackle the epistemological problem of constituent interest without positing a foundational ontology of the subject. I argue that both theoretical tendencies ultimately remain caught in the problems of ontology, thereby undercutting their normative aspirations to foster political participation. Turning to Hannah Arendt’s comments on public interest and her writings on council democracy, the article retheorizes the concept of political representation to avoid the ontological problems that beset current accounts. (shrink)

A commonly deployed signifier to render the political event of a riot intelligible, ‘chaos’ describes an affective condition of disorder and disarray. For some theorists of affect, such a condition of chaotic unpredictability suggests emancipatory potential. Recounting the 2018 May Day / May 1st protests in Paris, that both politicians and media declared to be a riot, this paper argues that to consider the riot as chaotic is to think and feel like a state. Critically interrogating the analytical purchase of (...) ‘chaos’ to describe a riotous assembly of bodies, this paper contends that ‘chaos’ is not only a theoretically impoverished concept to understand such political events, but also that sovereignty mobilizes ‘chaos’ as an affective infrastructure of governance to shore up attachment to the security state. Repudiating the sovereign logic of chaos, this paper presents a first-person encounter with a protest-declared-riot in order to explore the various affects that materialize around such events. Through ethnographic reflection, this paper outlines a series of affects that accompanied the day’s events, such as speculative optimism, fragility, suspicion, fear, boldness, and joy. In so doing, the paper develops an affective approach to theorize relations of political antagonism in the street, arguing that whereas the state weaponizes terror as a form of governance, the rioters weaponize joy as an affective means of resistance. (shrink)

A pineapple is a tropical plant with eatable leafy foods most monetarily critical plant in the family Bromeliaceous. The pineapple is native to South America, where it has been developed for a long time. The acquaintance of the pineapple with Europe in the seventeenth century made it a critical social symbol of extravagance. Since the 1820s, pineapple has been industrially filled in nurseries and numerous tropical manors. Further, it is the third most significant tropical natural product in world creation. In (...) the twentieth century, Hawaii was a prevailing maker of pineapples, particularly for the US, be that as it may, by 2016, Costa Rica, Brazil, and the Philippines represented almost 33% of the world's creation of pineapples. In this paper, machine learning based approach is presented for identifying type pineapple with a dataset that contains 1,311images use 946 images for training, 197 images for validation and 168 images for testing. A deep learning technique that extensively applied to image recognition was used. use 70% from image for training and 30% from image for validation. Our trained model achieved an accuracy of 100% on a heldout test set. (shrink)

Ornamentality is pervasive in the new media and it is related to their essential characteristics: dispersal, hypertextuality, interactivity, digitality and virtuality. I utilize Kendall Walton's theory of ornamentality in order to construe a puzzle pertaining to the new media. the ornamental erosion of information. I argue that insofar as we use the new media as conduits of real life, the excessive density of ornamental devices which is prevalent in certain new media environments, forces us to conduct our inquiries under conditions (...) of neustic uncertainty, that is, uncertainty concerning the kind of relationship we, the users, have to the propositional content mediated. I suggest that this puzzle calls upon us to consider what would be a viable logic of virtual discovery. (shrink)