Je suis très habitué à des livres étranges et des gens spéciaux, mais Hawkins se distingue par son utilisation d’une technique simple pour tester la tension musculaire comme une clé de la «vérité» de tout type de déclaration que ce soit, c’est-à-dire pas seulement à savoir si la personne testée croit, mais si c’est vraiment vrai! Ce que l’on sait bien, c’est que les gens montreront des réponses physiologiques et psychologiques automatiques, inconscientes à peu près tout ce à quoi ils (...) sont exposés : images, sons, toucher, odeurs, idées, personnes. Donc, la lecture musculaire pour découvrir leurs vrais sentiments n’est pas radicale du tout, contrairement à l’utiliser comme un bâton dousing (plus de lecture musculaire) pour faire "science paranormale". Hawkins décrit l’utilisation de la tension décroissante dans les muscles d’un bras en réponse à l’augmentation de la charge cognitive provoquant ainsi le bras à baisser en réponse à la pression constante des doigts de quelqu’un. Il semble ignorer qu’il existe un vaste effort de recherche en psychologie sociale, longtemps établi et vaste, appelé par des expressions telles que la « cognition implicite », l'« automaticité », etc., et que son utilisation de la « kinésiologie » est une petite section. En plus du tonus musculaire (rarement utilisé), les psychologues sociaux mesurent l’EEG, la réponse cutanée galvanique et le plus souvent les réponses verbales aux mots, aux phrases, aux images ou à des situations qui varient parfois de quelques secondes à des mois après le stimulus. Beaucoup, tels que Bargh et Wegner, prennent les résultats pour signifier que nous sommes des automates qui apprennent et agissent en grande partie sans sensibilisation via S1 (système automatisé 1) et beaucoup d’autres tels que Kihlstrom et Shanks disent que ces études sont imparfaites et nous sommes des créatures de S2 (système délibératif 2). Bien que Hawkins ne semble pas avoir d’idée, comme dans d’autres domaines de la psychologie descriptive de la pensée de l’ordre supérieur, la situation concernant «l’automaticité» est toujours aussi chaotique qu’elle l’était quand Wittgenstein décrit les raisons de la stérilité et la stérilité de la psychologie dans les années 30. Néanmoins, ce livre est une lecture facile et certains thérapeutes et les enseignants spirituels peuvent le trouver utile. Ceux qui souhaitent un cadre complet à jour pour le comportement humain de la vue moderne de deux systeme peuvent consulter mon livre 'The Logical Structure of Philosophy, Psychology, Mind and Language in Ludwig Wittgenstein and John Searle' 2nd ed (2019). Ceux qui s’intéressent à plus de mes écrits peuvent voir «Talking Monkeys --Philosophie, Psychologie, Science, Religion et Politique sur une planète condamnée --Articles et revues 2006-2019 3e ed (2019) et Suicidal Utopian Delusions in the 21st Century 4th ed (2019) et autres. (shrink)

Human actions and decisions are most of the times not only grounded on emotional reactions, they are irrationally debasing. While such emotions and heuristics were perhaps suitable for dealing with life in the Stone Age, they are woefully inadequate in the Silicon Age. The substitution of traditional news agencies and communication platforms in Nigeria with social media networks has not only increased human capacities, it has aided the common good and further eased communication and increased the human knowledge base. For (...) instance, the Silicon Valley in the state of California in the United State of America has proved the extent to which human ingenuity can be exerted in beneficial ways. Here in, the top of the multibillion-dollar communication companies like Apple, eBay, Cisco, Lockheed, Hewlett Packard (HP), Google, Netflix, Facebook, Oracle, Tesla, etc. whose yearly budgets far exceed the entire yearly budget of Nigeria, has proved that, ICT remains the building blocks of contemporary communities. The state of California for instance prides herself as the 6th largest economy of the world after France and Brazil. This romantic picture of ICT is but only one chapter of the ICT divide. In today’s world, the scale and speed of the highly partisan news and falsehoods that circulate in the human environment is deafening. In politics and governance for instance, the populist have exploited the ICT effectively and without restraints, to access power and authority. Today, we are in the era of post-truth, an era in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief. An era that harbours corruption of intellectual integrity and damage to the whole fabric of democracy. The battle to protect information integrity and expose fake news becomes sine qua non. We shall in this paper explore the dark side of the age of information, a side that has been exploited by the media mavens, political hacks, and ideological propagandists who promote lies, illusion, confusion, and other forms of demented or manipulated imagination. In doing this, we shall proceed as follows: i. Historicize the concept of ‘fake news’ here referred to as post-truth. ii. Interrogate the concept of ‘information’ and its goal in human affairs iii. Evaluate the nexus between ‘truth’ values in ‘information’, ‘Misinformation’ and ‘dis-information’ iv. Situate the role of Philosophy in the era of post-truth. (shrink)

In the last twenty eight years DreamBoat Children’s theatre has gained prominence in South-South Nigeria. Its operations have become more professional and have received more attention within the school system. But this was not so in the beginning. The study set out to find out what factors led to this development. Qualitative method was used to gather data from children, teachers and practitioners as well as observation of many DreamBoat’s children’s theatre productions across two states of Cross River and Akwa (...) Ibom. Data was gathered from over 500 children and two hundred teachers in four towns. The principal question the study sought to answer was: How can the DreamBoat children’s theatre performances help the child perceive patterns, relations feelings and produce an inner meaning? Or how do children experience theatre aesthetically? The research findings revealed that the type of stories enacted were the principal framework of transmitting meanings to young persons, the play is the heart of production and another aesthetics medium is the style of production. This is the icing on the cake it adds colours, sparkle and glamour. Conclusively as Children’s theatre producers work to stir the souls of young people by bringing them universal themes, feeding their imagination and giving beauty and fantasy enshrined in theatre which embodies all arts, then and only then will valuable contributions be made to the growth of creative individuals who will hold the baton for generations yet unborn. (shrink)