: This article aims to show that although the apostle Paul did not call himself a prophet, still makes his presentation in his letters in the same way that the Old Testament prophets. The article points out the many similarities between Paul and the prophets. It seeks to analyze and interact with Scripture and literature concerning the matter.We conclude that the Apostle founded the authority of his call, highlighting the prophetic aspect of his apostolate. It is evident that the Apostle (...) had a awareness of the prophetic character of his person, mission and message. It is called and sent directly by God, records the Scripture inspired by the Spirit and has a fruitful ministry of preaching and teaching. Este artigo tem como objetivo mostrar que embora o apóstolo Paulo não chame a si mesmo de profeta, ainda assim faz sua apresentação em suas cartas nos mesmos moldes que os profetas do Antigo Testamento. O artigo aponta as várias semelhanças entre Paulo e os profetas. Procura-se fazer uma análise e interação com a Escritura bem como literatura pertinente ao tema. Conclui-se que o Apóstolo fundamenta a autoridade de seu chamado, destacando o aspecto profético de seu apostolado. Evidencia-se que o Apóstolo possuía uma consciência do caráter profético de sua pessoa, missão e mensagem. É chamado e enviado diretamente por Deus, registra a Escritura de maneira inspirada pelo Espírito e tem um profícuo ministério de pregação e ensino. (shrink)

This article explores the relation between cinema and philosophy through the lens of interest shown by some filmmakers in the lives and works of philosophers. It begins by delving into contemporary perspectives on the relationship between philosophy and cinema. In order to assess how the constitutive dissimilarity of the two terms and the ways in which they can be brought together are at the origin of speculative short circuits and experiences of wonder, it brings together the works of thinkers – (...) Cavell, Benjamin, and Kracauer; and filmmakers Rossellini, Montaldo, Keaton, and Jarman. Reflecting on the aesthetic and cultural impact of cinema is all the more important given the current omnipresence of images and prosthetic technologies that, with their incessant solicitations, threaten the processes of apprehension, learning, and conveying of knowledge. Thinking and perceiving differently thus becomes an essential function of cinema, one keenly performed in Safaa Fathy’s Derrida’s Elsewhere, analyzed in the last two sections. (shrink)

This article aims to show that although the apostle Paul did not call himself a prophet, still makes his presentation in his letters in the same way that the Old Testament prophets. The article points out the many similarities between Paul and the prophets. It seeks to analyze and interact with Scripture and literature concerning the matter.We conclude that the Apostle founded the authority of his call, highlighting the prophetic aspect of his apostolate. It is evident that the Apostle had (...) a awareness of the prophetic character of his person, mission and message. It is called and sent directly by God, records the Scripture inspired by the Spirit and has a fruitful ministry of preaching and teaching. (shrink)

In this paper, we are proposing a study of the Vesica Piscis, a symbol of Sacred Geometry, starting from mathematics. This study aims to give a deeper comprehension of the hidden meanings of this icon. The paper is also showing that scientific and philosophical studies can be integrated, leading to very interesting results.

Interactions are important in establishing deep and meaningful learning experiences for learners in a distance education setup. Of all the activities in an online classroom, the discussion forum proved to be the one that had the most interactions. A discussion forum lets learners interact with the content, peers, and teachers. Participation in these learning activities is one important factor. The more the learners participate, the more they learn. This paper uses the researcher’s experience in determining what participation is in an (...) online learning experience. After reviewing the experience, participation in a discussion forum is defined as a self-induced connection to the learning community to receive and share knowledge to bring a deeper understanding of a certain theory or phenomenon.” There are conditions for a behavior or action that can be considered participation. The more conditions the behavior met, the higher the level of participation it led. The conditions are the learner analyzes an abstract theory or concept and relates it to practice or experience; the learner views other people’s perspectives regarding the subject and synthesizes a stronger and deeper understanding of the acquired knowledge; the learner communicates the acquired understanding of a certain subject that induces a validation or further inquiry; lastly, the learner constructed a train of premeditated discourse that leads to the understanding of a certain subject. (shrink)

CATEGORY: Philosophy play; historical fiction; comedy; social criticism. -/- STORYLINE: Katherine, a neurotic American lawyer, meets Christianus for a philosophy session at The Late Victorian coffee shop in London, where they also meet Wendy the waitress and Baldy the player. Will Katherine be able to overcome her deep depression by adopting some of Christianus’s satisfactionist ideas? Or will she stay unsatisfied and unhappy by stubbornly sticking to her own neti-neti nothingness philosophy? And what roles do Baldy, Wendy, and the Okefenokee (...) Man-Monster have in this connexion? -/- TOPICS: In the course of this philosophy play, Katherine and Christianus discuss many things: friendship, a Renoir painting, global warming, elephant conservation, freemasons, Prince of Wales and his tiger-hunting experience in Nepal, Victorian Chartism and a Kennington Common daguerreotype, a Mortality Proof, and, last but not least, Baldy, Wendy, and the gory plot of the Okefenokee Man-Monster. -/- NOTES: This work features elaborate footnotes and comments (including full bibliographical references) by the author, to enhance the reader's experience of the play and its philosophizing characters. (shrink)