Geographical economics (also known as the ‘new economic geography’) is an approach developed within economics dealing with space and geography, issues previously neglected by the mainstream of the discipline. Some practitioners in neighbouring fields traditionally concerned with spatial issues (descriptively) characterized it as—and (normatively) blamed it for—intellectual imperialism. We provide a nuanced analysis of the alleged imperialism of geographical economics and investigate whether the form of imperialism it allegedly instantiates is to be resisted and on what grounds. From both descriptive (...) and normative perspectives, our conclusion is: yes and no. (shrink)

The notion of Providence is born with the Greek word prόnoia which, however, originally meant "premeditation" (of a crime) or "design" of an artefact, and had nothing to do with religion. It was Plato in the Timaeus who adopted the word from the common language to indicate the rational and benevolent principle that inspired the anonymous God, which he defined as dēmiourgόs (also this word originally meant a professional technician, for example, a doctor or an architect) in his work of (...) shaping the cosmos. The doctrine of divine Providence was taken up by Middle Platonism, and with it the need to "justify" the divinity for the presence of evil in the world, what Leibniz will call "theodicy". Stoicism also supported Providence, but here there is no "theodicy" because in Stoic philosophy rationality and beneficial purpose are intrinsic to the cosmic process and therefore there is no external architect to be charged and absolved. Christian authors of the first centuries recycled the arguments of the Platonists in support of Providence, despite the fact that the word prόnoia never appears in the New Testament, nor is there any Hebrew equivalent in the Tanak. Perhaps there is some compatibility problem between the philosophical theory of Providence and the biblical-Christian view of God. (shrink)

The paper reviews the philosophical literature on the epistemology of modelling in contemporary economics. In particular, it focuses on open questions concerning the epistemic role of models, the validity of inferences from the models to the world, and the legitimacy of their use for purposes of explanation, prediction and intervention.

The review is available online on Estudos Kantianos.

The author examines Hobbes and Hume in the light of recent proposals of neo-Hobbesian political theories. Magri concludes that Hobbes and Hume's strategies would be plausible from the point of view of liberal thinking if they succeeded; the difficulty, however, is that both systems fail to overcome the barrier between individual interests and moral and political principles.

Fans of arthouse cinema may lament that über-indie idol Greta Gerwig sold out to mainstream cinema with her foray into Barbie. Yet for every film snob who refuses to watch Barbie, innumerable other...

According to the `grammatical account', scalar implicatures are triggered by a covert exhaustification operator present in logical form. This account covers considerable empirical ground, but there is a peculiar pattern that resists treatment given its usual implementation. The pattern centers on odd assertions like #"Most lions are mammals" and #"Some Italians come from a beautiful country", which seem to trigger implicatures in contexts where the enriched readings conflict with information in the common ground. Magri (2009, 2011) argues that, to (...) account for these cases, the basic grammatical approach has to be supplemented with the stipulations that exhaustification is obligatory and is based on formal computations which are blind to information in the common ground. In this paper, I argue that accounts of oddness should allow for the possibility of felicitous assertions that call for revision of the common ground, including explicit assertions of unusual beliefs such as "Most but not all lions are mammals" and "Some but not all Italians come from Italy". To adequately cover these and similar cases, I propose that Magri's version of the Grammatical account should be refined with the novel hypothesis that exhaustification triggers a bifurcation between presupposed (the negated relevant alternatives) and at-issue (the prejacent) content. The explanation of the full oddness pattern, including cases of felicitous proposals to revise the common ground, follows from the interaction between presupposed and at-issue content with an independently motivated constraint on accommodation. Finally, I argue that treating the exhaustification operator as a presupposition trigger helps solve various independent puzzles faced by extant grammatical accounts, and motivates a substantial revision of standard accounts of the overt exhaustifier "only". (shrink)

The question of how people change artworks is important for the metaphysics of art. It’s relatively easy for anyone to change a painting or sculpture, but who may change a literary or musical work is restricted and varies with context. Authors of novels and composers of symphonies often have a special power to change their artworks. Mary Shelley revised Frankenstein, and Tchaikovsky revised his Second Symphony. I cannot change these artworks. In other cases, such as those involving jazz standards and (...) folk songs, performers and ordinary folks have more power to change artworks. My preferred explanation of these facts is the created-abstract-simples view, according to which literary and musical works, unlike paintings and sculptures, are created abstract objects that have no parts. On this view, the way to change a literary or musical work is for an individual, empowered by social practices, to change rules about how a literary work should be published or a musical work should be performed. A. R. J. Fisher and Caterina Moruzzi object that the created-abstract-simples view doesn’t allow for literary and musical works to genuinely change, and Nemesio Garcia-Carríl Puy objects that the view doesn’t allow for these artworks to be repeatable. This paper clarifies the created-abstract-simples view and defends the view against these objections. -/- . (shrink)

After noting the absence of a mutual confrontation, the aim of this research has been redefined in reconstructing the influence of Habermas’ writings on the work of Zygmunt Bauman – an aspect known to scholars of the Polish sociologist but not very well recognized in the international sociological community. Following a philological and critical literary approach, the Baumanian interpretations – selective, discontinuous and, often, erroneous – have been systematized into two main topics: 1) the epistemological foundations of social theory; 2) (...) the normative foundations of critical theory (and the relationship with praxis). Bauman; Habermas; sociology; (post)modernity; praxis Dopo aver constatato l’inesistenza di un reciproco confronto, lo scopo della ricerca si è ridefinito nel ricostruire l’influenza degli scritti di Habermas sull’opera di Zygmunt Bauman – un aspetto noto agli studiosi del sociologo polacco ma poco conosciuto nella comunità socio-logica internazionale. Seguendo un approccio filologico e critico letterario, le interpretazioni baumaniane – selettive, discontinue e, spesso, erronee – sono state sistematizzate in due principali temi: 1) i fonda-menti conoscitivi della teoria sociale; 2) i fondamenti normativi della teoria critica (e il rapporto con la prassi). -/- Parole chiave: Bauman; Habermas; sociologia; (post)modernità; prassi -/- In "Zygmunt Bauman. I cancelli dell’acqua", a cura di Riccardo Mazzeo. Maria Caterina Federici, Editoriale. Bauman e dell’incertezza Riccardo Mazzeo, Premessa. I cancelli dell’acqua Riccardo Mazzeo, Introduzione. Il pendolo di Zygmunt Bauman - Mauro Magatti, Siamo ancora nella modernità liquida? Un esercizio di sociologia baumaniana - Benedetto Vecchi, La missione impossibile di Zygmunt Bauman - Vanni Codeluppi, Bauman: il consumo come compito - Raffaele Federici, Forme e impressionismo nel disagio della postmodernità - Vincenzo Romania, Zygmunt Bauman e la modernità dell’Olocausto: fra crucialità delle domande e debolezza delle risposte - Daniele Francesconi, Zygmunt Bauman. L’intellettuale sulla scena - Claudio Tugnoli, La morte di "terzo grado" come stile di vita. Esorcismi della paura nell’opera di Zygmunt Bauman - Sabina Curti, Paura liquida e ruolo degli intellettuali in Zygmunt Bauman - Luca Corchia, Bauman e Habermas su teoria e prassi. Alle origini di un confronto incompiuto - Marta Carlini, Jakub Pichalski, Bibliografia ragionata degli scritti italiani di e su Zygmunt Bauman - Federico Batini, Giulia Toti, Una scuola per tutti? Riflessioni a margine di "Conversazioni sull’educazione" Recensioni. (shrink)