This article explicates the views on both race and ethnicity of these three prominent Latinx philosophers, compares them (somewhat), and offers some criticisms. Corlett jettisons race as a categorization of groups, but accepts a form of racialization somewhat at odds with this jettisoning. Gracia adopts as a general principle that an account of both ethnicity and race should help us see aspects of reality that would otherwise be obscured; but this is at odds with his regarding the Latin American (...) view of race as more rational than the U.S. version with its “one-drop rule.” The latter has structured the reality of race in the U.S. for African Americans. Alcoff is much more concerned with the phenomenology of race and ethnicity than the other two, and she clearly adds “pan-ethnicity” to the mix of concepts required to understand Latino/a Americans. I argue that she fails to see the agentic and political aspect of black identity in the U.S., and in a sense shares with Gracia a misplaced sense that the mixedness of Latin American racial identity is somehow to be preferred to the more binary U.S. form. (shrink)

Corlett (2019) raises two groups of challenges against the two-factor theory of delusions: One focuses on weighing “the evidence for … the two-factor theory”; the other aims to question “the logic of the two-factor theory” (p. 166). McKay (2019) has robustly defended the two-factor theory against the first group. But the second group, which Corlett believes is in many aspects independent of the first group and Darby (2019, p. 180) takes as “[t]he most important challenge to the two-factor (...) theory raised by Dr. Corlett”, has by large remained. Here I offer my two cents in response to the second group. More specifically, I argue that Corlett’s challenges to the logic of the two-factor theory, concerning modularity, double dissociation and cognitive penetration, seem to be based on some misunderstandings of the two-factor theory. (shrink)

Patrick Æ Hutchings (Oxon), was a longtime Editor-in-Chief (Australasia) of Sophia and a cherished member of both the journal’s philosophical community and the international philosophy community more broadly. -/- With a deep intellectual and academic history (with prior studies in the University of Wellington and Oxford University), Patrick was at the time of his passing an Honorary Research Associate in the Department of Philosophy at the University of Melbourne. Over the years, he also lectured in the Philosophy of Art at (...) the University of Melbourne. He also lectured at the Royal Melbourne Institute of Technology (RMIT). From 1978–1994, Patrick served as Reader in the School of Humanities at Deakin University, (working closely with his esteemed colleagues Prof Max Charlesworth and Purushottama Bilimoria; known as the ‘intellectual mischiefs’); together they moved Sophia to the Department of Philosophy in the University of Melbourne, and he also joined the University of Melbourne as a Visiting Lecturer in the Philosophy of Art from 1993–1998 (working closely with Christopher Cordner, Graeme Marshall, Brian Scarlett , Tony (AJC) Coady, and Elvira Schnabel). Prior to coming eastwards, Patrick taught at the University of Western Australia in Perth, Western Australia, for some twenty years. He gave lectures on philosophy and arts at the University of Sydney and at the University of Otago (Dunedin, NZ), and he taught English Literature and Philosophy classes at a number of universities around the world, including at Edinburgh, London, California (Irvine), New Zealand, Japan, and India. -/- During his life and over the course of his career, Patrick wrote prolifically in topics spanning philosophy, literature, and aesthetics for many journal publications, including Art International, The Journal of Aesthetics and Art Criticism, Landfall, Islands, The Age, The Journal of the Sydney Society of Literature and Aesthetics, Australasian Journal of Philosophy, Sophia, Philosophical Studies (Dublin) and the Art Monthly Australasia. He also published a monograph on the Melbourne sculptor, Peter Corlett, co-authored books on Guy Boyd and Kate O’Connor, and contributed chapters in monographs on figures such as Gordon Walters, Heather Busch, Klaus Zimmer, George Johnson, Tom Gibbons, and Thornton Walker. -/- Routledge (Taylor & Francis) republished Patrick’s 1972 ground-breaking book Kant on Absolute Value (Kant’s ‘Groundwork of the Metaphysic of Morals’ and of his Ontology of Personal Value), which remains in print (2019). His 2021 article ‘Has God Been and Gone?’ was his last main piece published in Sophia, and he also had a 2022 review in Sophia, ‘Religious Doubt in New Zealand.’ Forever prolific in his writing and editing, Patrick continued to publish into 2023 with another two pieces appearing in Literature and Aesthetics: The Journal of the Sydney Society of Literature and Aesthetics (SSLA) and the Art Monthly Australasia. -/- Patrick is survived by his dear wife Heng (Kitty) Hutchings and was also memorialized recently by a wide range of scholars and friends in both actual and virtual ceremonies held in September 2023. Although Patrick’s funeral service was kept as simple as possible, just as Patrick would have liked it to be, Fr. Michael Elligate led the Requiem Mass; the Ensemble from the Australian Chamber Choir and organist Douglas Lawrence provided glorious music, Peter Wong chanted from the beautiful 'Heart of Great Perfection of Wisdom' from Heart Sūtra to mark the finalé:- Gaté gaté paragaté parasamgaté Bodhi svāhā! (Gone, gone, gone beyond, gone completely beyond, enlightenment!). (shrink)