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Glen Mazis
Pennsylvania State University
  1. Touch and Vision: Rethinking with Merleau-Ponty Sartre on the Caress.Glen A. Mazis - 1979 - Philosophy Today 23 (4):312-18.
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  2. Time at the Depth of the World.Glen A. Mazis - 2010 - In Kascha Semonovitch Neal DeRoo (ed.), Merleau-Ponty at the Limits of Art, Religion, and Perception. Continuum. pp. 120--146.
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  3. Earthbodies: Rediscovering Our Planetary Senses.Glen A. Mazis - 2002 - State University of New York Press.
    Earthbodies describes how our bodies are open circuits to a sensual magic and planetary care that when closed off leads to disastrous detours, such as illness, ...
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  4. A New Approach to Sortre's Theory of Emotions.Glen A. Mazis - 1983 - Philosophy Today 27 (3):183-199.
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  5. Merleau Ponty, Inhabitation and the Emotions.Glen A. Mazis - 1989 - In Henry Pietersma (ed.), Merleau Ponty: Critical Essays. Center for Advanced Research in Phenomenology.
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  6. Cyborg Life: The In-Between of Humans and Machines.Glen A. Mazis - 2008 - PhaenEx 3 (2):14-36.
    Cyborgs are ongoing becomings of a doubly “in-between” temporality of humans and machines. Materially made from components of both sorts of beings, cyborgs gain increasing function through an interweaving in which each alters the other, from the level of “neural plasticity” to software updates to emotional breakthroughs of which both are a part. One sort of temporal in-between is of the progressive unfolding of a deepening becoming as “not-one-not-two” and the other is a “doubling back” of time into itself in (...)
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  7. La Chair et L'Imaginaire: The Developing Role of the Imagination in Merleau-Ponty's Philosophy.Glen A. Mazis - 1988 - Philosophy Today (1):30-42.
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  8. Merleau Ponty and the 'Syntax in Depth': Semiotics and Language as 'Another Less Heavy, More Transparent Body'.Glen A. Mazis - 1990 - In Recent Developments in Theory and History: The Semiotic Web 1990.
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  9. Touring as Authentically Embodying Place and a New World at a Glance.Glen A. Mazis - 2009 - Environment, Space, Place 1 (1):169-188.
    The critique of tourism as being only a distanced, detached, and consumerist passing through of foreign landscapes and cultures isdisputed in this essay. The idea that tourism necessarily fits the paradigm of inauthenticity as the tranquilized and alienated hopping from spot to spot in prepackaged, superficial presentations is contrasted with another sense of tourism as drawing upon the potential power of the glance to disrupt the everyday, to focus on the particular, to be surprised by the new, and to bodily (...)
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