This study discusses the use of non-human animals as photographic images and the issue of representation through the triad of photographer, photographed and spectator to bring a new perspective to the representation debates of photography. From Plato to Susan Sontag, our ways of seeing have been formulated in a human-centered way. Especially in terms of "representing reality", the emotional states of human beings are taken as a basis by photographers. The reflections of the desire to live, the good-evil problem, and (...) the photographic audience's reception of the photographic image according to their moral norms have been discussed from an anthropocentric perspective. This study attempts to overcome this anthropocentric view and argues that photographers who reveal the relations of non-human agents with violence should not be obscured by anthropocentric understanding. While the actions of human beings carry strong indicators of the socio-cultural structure, the actions of non-human agents are ignored and dealt with separately from culture, which raises doubts about the objectivity of impartial photographers, considered "gatekeepers of reality". This study both shows the agency of the photographed non-human actors and discusses the position of photographers and viewers in terms of speciesism. (shrink)

Öz: Bu yazıda Elisabeth Camp'in metafor kuramını eleştireceğim. Bu kurama göre metaforik anlam metaforik olarak kullanılan terimin işaret ettiği şeyin karakterizasyonunun bir başka şeyin karakterizasyonu ile etkileşimi yoluyla ortaya çıkar. Bu etkileşim beraberinde metaforun önemli bilişsel özelliklerinden biri olan olarak-görme etkisini zorunlu olarak getirir. Ben bu kuramın açıklamaya çalıştığı dilsel olguyu gereksiz yere karmaşıklaştırdığını savunacağım. Söz konusu olgu etkileşime gerek olmadan da açıklanabilir. Camp'in tersine, olarak-görme etkisinin metafor için özsel olmadığını savunacağım. Bunların yanı sıra Camp'in metafor kuramının kimi değillenmiş metafor (...) kullanımlarını açıklayamadığını göstermeye çalışacağım. Abstract: In this paper, I will criticise Elisabeth Camp's theory of metaphor. According tothis theory, the metaphorical meaning arises from the interaction of the characterization of the thing which the metaphorically used term indicates with the characterization of another thing. The interaction forces outone of the most important cognitive features of metaphor, the seeing-as effect. I will argue that this theory unnecessarily complicates the linguistic phenomenon it tries to explain, and that the phenomenon in question couldbe explained without the need for interaction. Contrary toCamp, I will try to show that the seeing-as effect is not essential for metaphor. I will also try to demonstratethat Camp's theory of metaphor fails to explain some uses of negated metaphors. (shrink)