The second of Gregory’s Dialogues, tells the life and miracles of Benedict of Nursia. In this paper, I will first introduce the Gregorian concepts of spiritual “stability” (stabilitas) and of the spiritual “ruler” (rector), along with the spiritual journey by which “stability” is recovered. Second, focusing on episodes that call attention to Benedict’s physical self-disposition (seated, standing, walking), I will read his life doubly. Under one reading, these episodes proffer moral exempla wherein Benedict’s physical self-possession outwardly manifests a spiritual ruler’s (...) proper response to attacks on him and on his community. Under another reading, the organization and emphases of these same episodes add up to an over-arching narration of Gregory’s theology of spiritual progress, all the way to fullness of love and the vision of God. Third, I will argue that the motif of steadfast love rather than of physical claustration is the deepest foundation of this journey and that the dialogue universalizes the “way of Benedict” to guide even non-monastic readers to the heavenly homeland. (shrink)

From the beginning, Augustine's "Confessions" presents itself as a dialogue with God. Taking a cue from Ludwig Feuerbach’s "The Essence of Christianity [Das Wesen des Christentums]," this dialogue can easily be dismissed as a projection of the self. This would imply that the divine otherness is nothing more than a mirror of one’s own fears and preferences. “Does this critique,” I asked myself in this piece, “really do justice to a position like that of Augustine?” For a long time, I (...) did not know how to approach what I had — provisionally — called Augustine’s dialogue with God. It appeared to me that Augustine, in an accidental and indirect way, had re-invented the Platonic dialogue and had turned it into a new Christian genre. “It is true,” I told myself, “that the genre of the Confessions shows family resemblances with the hagiography and the autobiography. But most certainly it cannot be reduced to these genres.” The Greek words ‘hagios’ (holy) and ‘autos’ (self) are in flagrant contradiction with the intention of the Confessions. Augustine tries to stay clear of any claim of holiness and only highlights his own ‘self’ to immediately question it. “Is the Platonic dialogue,” I asked myself, “not a far more appropriate predecessor for Augustine’s dialogue with God?” Both types of dialogues can be seen as true dia logoi in which at least two different voices emerge. However, contrary to what one would expect, it is not the dialogue form itself that frames these two voices. Instead the two voices emerge within the discourse of a single speaker, incorporating true otherness within the discourse of the self. Building on these reflections, I explore how Augustine's dialogue with God succeeds in eluding Feuerbach's charge of self-projection. (shrink)

This is contextualizing of a monk of the Ramakrishna Order who became one of the Sangha's most perfect and zealous Presidents. When the Western world is clamouring for the removal of celibacy, the Ramakrishna Order and its monks show the real possibilities of lives in the spirit. This is NOT a hagiography. Non-Hindu novice masters will benefit hugely from reading this review and the review book. The review also focuses on the philosophy of monasticism and separately, on seeing or (...) darsana. (shrink)