Is there progress in philosophy? If so, how much? Philosophers have recently argued for a wide range of answers to these questions, from the view that there is no progress whatsoever to the view that philosophy has provided answers to all the big philosophical questions. However, these views are difficult to compare and evaluate, because they rest on very different assumptions about the conditions under which philosophy would make progress. This paper looks to the comparatively mature debate about scientific progress (...) for inspiration on how to formulate four distinct accounts of philosophical progress, in terms of truthlikeness, problem-solving, knowledge, and understanding. Equally importantly, the paper outlines a common framework for how to understand and evaluate these accounts. We distill a series of lessons from this exercise, to help pave the way for a more fruitful discussion about philosophical progress in the future. (shrink)

In recent years, several philosophers have argued that their discipline makes no progress (or not enough in comparison to the “hard sciences”). A key argument for this pessimistic position appeals to the purported fact that philosophers widely and systematically disagree on most major philosophical issues. In this paper, we take a step back from the debate about progress in philosophy specifically and consider the general question: How (if at all) would disagreement within a discipline undermine that discipline’s progress? We reject (...) two arguments from disagreement to a lack of progress, and spell out two accounts of progress on which progress is compatible with disagreements that persist or increase over time. However, we also argue that disagreement can undermine our ability to tell which developments are progressive (and to what degree). So, while disagreement can indeed be a threat to progress, the precise nature of the threat has not been appreciated. (shrink)

This chapter gives an overview of the various themes and issues discussed in the volume. It includes summaries of all chapters and places the contributions, some of which are part of a critical conversation format, in the context of the larger literature and debates.

What is it for philosophy to make progress? While various putative forms of philosophical progress have been explored in some depth, this overarching question is rarely addressed explicitly, perhaps because it has been assumed to be intractable or unlikely to have a single, unified answer. In this paper, we aim to show that the question is tractable, that it does admit of a single, unified answer, and that one such answer is plausible. This answer is, roughly, that philosophical progress consists (...) in putting people in a position to increase their understanding, where 'increased understanding' is a matter of better representing the network of dependence relations between phenomena. After identifying four desiderata for an account of philosophical progress, we argue that our account meets the desiderata in a particularly satisfying way. Among other things, the account explains how various other achievements, such as philosophical arguments, counterexamples, and distinctions, may contribute to progress. Finally, we consider the implications of our account for the pressing and contentious question of how much progress has been made in philosophy. (shrink)

Intuitively, science progresses from truth to truth. A glance at history quickly reveals that this idea is mistaken. We often learn from scientific theories that turned out to be false. This chapter focuses on a different challenge: Idealisations are deliberately and ubiquitously used in science. Scientists thus work with assumptions that are known to be false. Any account of scientific progress needs to account for this widely accepted scientific practice. It is examined how the four dominant accounts—the problem-solving account, the (...) truthlikeness account, the epistemic account, and the noetic account—can cope with the challenge from idealisation, with an eye on indispensable idealisations. One upshot is that, on all accounts, idealisations can promote progress. Only some accounts allow them to constitute progress. (shrink)

Al interior de la filosofía de la técnica, el debate sobre la acción es recurrente y recientemente muestra discusiones polarizadas. En un extremo, se encuentran los defensores de una teoría estándar de la acción (TEAI), quienes sostienen que la acción interesante es únicamente humana, con base en las intenciones de los sujetos y, aplicada objetos técnicos, vinculada a su función. En el otro extremo, encontramos a quienes sostienen la posibilidad de que elementos no humanos también posean capacidad de transformación, más (...) próximos a lo que se denomina una “teoría de la agencia”. En un esfuerzo inicial para revisar la potencialidad de la TEAI para su abordaje en el campo de estudios de la técnica y la tecnología, revisitamos la noción de intencionalidad. Para ello, dividimos el trabajo en tres partes. En la primera parte, caracterizamos los rasgos básicos de la TEAI. En la segunda parte, desde los aportes de la filosofía de la mente, analizamos internamente la distinción entre intencionalidad original y derivada (Dennett). Finalmente, desde los aportes de la Teoría del Actor-red, revisamos externamente la acción intencional desde algunos desplazamientos propuestos por la ontología relacional, con nociones como actantes y ensamblajes (Latour). Consideramos que estas reflexiones contribuyen a repensar las transformaciones contemporáneas del mundo artificial. (shrink)

Review of Henk de Regt's "Understanding Scientific Understanding".

La actitud del diseño es una estrategia interpretativa propuesta por Dennett, que consiste en tratar al sistema, cuyo “comportamiento” se quiere predecir, bajo el supuesto de que sus partes cumplen funciones que obedecen a un diseño satisfactorio. Sin embargo, estudios recientes sobre atribución funcional en artefactos técnicos consideran que la actitud del diseño supone una estrategia inadecuada para entender qué hace un artefacto técnico. En particular, dos críticas han ganado visibilidad. Por una parte, Vermaas et al. (2013) señalan una inconsistencia (...) en la propuesta dennettiana de la actitud del diseño: las intenciones del diseñador a veces desempeñan un papel en la interpretación de los artefactos y a veces no lo hacen, sin tener finalmente una intuición clara sobre su rol. Por otra parte, Vaesen y Van Amerongen (2008) sostienen que la actitud del diseño admite dos interpretaciones, una descriptiva y una normativa, y que ambas son implausibles. No obstante, en este trabajo argumentamos que estas críticas son rebatibles y que el problema reside en que ambas acusaciones, i.e. inconsistencia e implausibilidad, suponen una interpretación incorrecta de la posición de Dennett. The design attitude is an interpretive strategy proposed by Dennett, which consists of treating the system, whose “behavior” is to be predicted, under the assumption that its parts fulfill functions that accomplish a satisfactory design. Recent studies on technical artifacts' functional attribution claim that the design attitude is an inadequate strategy to elicit what a technical artifact does. In particular, two criticisms have gained visibility. On the one hand, Vermas et al (2013) remark an inconsistency in Dennett’s design stance. The very designer's intentions sometimes play a role in the interpretation of artifacts and sometimes they don´t, without finally having a clear intuition about their role. On the other hand, Vaesen and Van Amerongen (2008) argue that the design stance admits two interpretations, a descriptive and a normative one and that both are implausible. However, we argue that these criticisms miss the point given that both accusations, i.e. of inconsistency and of implausibility, result from a wrong interpretation of Dennett's position. (shrink)

What makes a photograph an artwork, as opposed to a mere document? I defend a cluster account such that aesthetic value, aptness to interpretation, the artist’s intention and institutional uptake may contribute to the arthood of a body of photographs, with no single condition being necessary. With regard to Lawler’s works, I suggest that Lawler’s intention that they be art plays a definitive role because of the works’ resemblance to non-art photography. For some of her photographs, however, it (...) appears that such an intention is absent; and if this is correct, then, given their other features, those photographs are not artworks. (shrink)

Most students of Tocqueville know of his remark, “There are three men with whom I live a little every day; they are Pascal, Montesquieu, and Rousseau.” In this paper I trace out the contours of Pascal’s influence upon Tocqueville’s understanding of the human condition and our appropriate response to it. Similar temperaments lead both Tocqueville and Pascal to emphasize human limitations and contingency, as Peter Lawler rightly emphasizes. Tocqueville and Pascal both emphasize mortality, ignorance of the most important subjects, (...) the effects of historical contingency on what we take to be human nature, and both represent the complex internal dynamic of human nature in terms of the interplay of “angel” and “brute.” The most important difference between them concerns their relative estimates of human power and the significance of human action. Whereas the motif of human weakness is fundamental for Pascal, Tocqueville repeatedly affirms that, under the right conditions, human beings are “powerful and free.” Beginning from Pascalian premises, and endeavoring to be more faithful to some of those premises than Pascal himself was, Tocqueville aims to illuminate the possibility of an amelioration of the human condition through a “new political science” that redeems the political realm without divinizing it. -/- . (shrink)

This paper gives further feedback in response to the evening of presentations about the value of different disciplines to the social sciences, at the University of Manchester. I respond to Peter Lawler’s presentation for the politics department, or discipline area. The appendix responds to a remark which I found online about Laura Valentini, related to the main content.