Results for 'Jutta Rockmann'

6 found
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  1. Werther-Illustrationen. Bilddokumente als Rezeptionsgeschichte.Jutta Assel - 1984 - In Georg Jäger (ed.), Die Leiden des alten und neuen Werther. Carl Hanser. pp. 57-105, 190-208.
    After an introduction into the history of book illustrations from the second half of the 18th century to the late 19th century follows a sketch of the evolution of illustrations for Johann Wolfgang Goethe’s novel “The Sorrows of Young Werther” from 1775 to 1870. The featured illustrations can be divided into groups of approximately 10 central motives. The resting points of the narrative were chosen as highlights of many illustrations: They depict the sentimental and idyllic scenes. The interpretation of the (...)
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  2. Erotik und Zensur.Jutta Assel & Georg Jaeger - 2021 - Munich: Thomas Dreher.
    “Erotism and Censorship“ offers an introduction to the history of picture postcards and explores the German censorship until 1930. The specificity of the medium to react to the desires of the clients (mostly male) and to shape them simultaneously is explained in interpretations of examples. A documentary part presents a selection of texts about reproduction technologies. These texts were originally published in journals for collectors of postcards.
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  3. Zur Ikonographie des Lesens - Darstellung von Leser(inne)n und des Lesens im Bild.Jutta Assel - 1999 - In Bodo Franzmann, Klaus Hasemann, Dietrich Löffler & Erich Schön (eds.), Handbuch Lesen. KG Saur. pp. 638-673.
    A history of representations of readers and reading acts in images (paintings, prints, drawings, postcards) from the Middle Ages to the 20th century. It includes a bibliography and 42 illustrations.
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  4. Deutsche und österreichische Handzeichnungen und Aquarelle 1785-1860.Jutta Assel - 1985 - Neuss: Clemens-Sels-Museum.
    The catalogue of an exhibition of the Clemens-Sels-Museum in Neuss presents a selection of the museum's collection of drawings and watercolours from the late 18th century to the middle of the 19th century; with biographies of the artists as well as comments and interpretations of their works.
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  5. Natur im Labor. Themenschwerpunkt in Philosophia Naturalis Bd. 43, Heft 1-2.Gregor Schiemann & Kristian Köchy (eds.) - 2006 - Klostermann..
    Seit Beginn der frühen Neuzeit ist das naturwissenschaftliche Verfahren maßgeblich durch ein neues Konzept geprägt: das Konzept des experimentellen, gestalterischen Eingriffs in die Natur. Es geht nun nicht mehr darum, eine Geschichte der "freien und ungebundenen Natur" (Bacon) zu erzählen, die in ihrem eigenen Lauf belassen und als vollkommene Bildung betrachtet wird. Es geht vielmehr darum, der "gebundenen und bezwungenen Natur" (Bacon) vermittels der experimentellen Tätigkeit des Menschen die Geheimnisse zu entreißen. Diese technisch-praktische Konzeption grenzt sich explizit von den klassischen (...)
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  6. European Computing and Philosophy.Gordana Dodig-Crnkovic - 2009 - The Reasoner 3 (9):18-19.
    European Computing and Philosophy conference, 2–4 July Barcelona The Seventh ECAP (European Computing and Philosophy) conference was organized by Jordi Vallverdu at Autonomous University of Barcelona. The conference started with the IACAP (The International Association for CAP) presidential address by Luciano Floridi, focusing on mechanisms of knowledge production in informational networks. The first keynote delivered by Klaus Mainzer made a frame for the rest of the conference, by elucidating the fundamental role of complexity of informational structures that can be analyzed (...)
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