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  1. Predictive coding explains binocular rivalry: an epistemological review.Jakob Hohwy, Andreas Roepstorff & Karl Friston - 2008 - Cognition 108 (3):687-701.
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  2. a variational approach to niche construction.Axel Constant, Maxwell Ramstead, Samuel Veissière, John Campbell & Karl Friston - 2018 - Journals of the Royal Society Interface 15:1-14.
    In evolutionary biology, niche construction is sometimes described as a genuine evolutionary process whereby organisms, through their activities and regulatory mechanisms, modify their environment such as to steer their own evolutionary trajectory, and that of other species. There is ongoing debate, however, on the extent to which niche construction ought to be considered a bona fide evolutionary force, on a par with natural selection. Recent formulations of the variational free-energy principle as applied to the life sciences describe the properties of (...)
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  3. A Multi-scale View of the Emergent Complexity of Life: A Free-energy Proposal.Casper Hesp, Maxwell Ramstead, Axel Constant, Paul Badcock, Michael David Kirchhoff & Karl Friston - forthcoming - In Michael Price & John Campbell (eds.), Evolution, Development, and Complexity: Multiscale Models in Complex Adaptive Systems.
    We review some of the main implications of the free-energy principle (FEP) for the study of the self-organization of living systems – and how the FEP can help us to understand (and model) biotic self-organization across the many temporal and spatial scales over which life exists. In order to maintain its integrity as a bounded system, any biological system - from single cells to complex organisms and societies - has to limit the disorder or dispersion (i.e., the long-run entropy) of (...)
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  4. Order and Change in Art: Towards an Active Inference Account of Aesthetic Experience.Sander Van de Cruys, Jacopo Frascaroli & Karl Friston - 2024 - Philosophical Transactions of the Royal Society B 379 (20220411).
    How to account for the power that art holds over us? Why do artworks touch us deeply, consoling, transforming or invigorating us in the process? In this paper, we argue that an answer to this question might emerge from a fecund framework in cognitive science known as predictive processing (a.k.a. active inference). We unpack how this approach connects sense-making and aesthetic experiences through the idea of an ‘epistemic arc’, consisting of three parts (curiosity, epistemic action and aha experiences), which we (...)
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