تافوری (همانند فورتینی) تحقیق تاریخی را (که آوانگاردها هیچ وقت زیر بار این تحقیق تاریخی به‌عنوان پیش‌شرط پروژه‌هایشان نمی‌رفتند) ابزاری به‌غایت قدرتمند برای به پرسش‌کشیدن اثرات گسترش سرمایه‌داری بر عاملیت فکری می‌پنداشت. تاریخمندکردن ذهنیت‌های فکری بدان معنی است که حوزه‌ای که باید در آن مبارزه‌ی سیاسی کرد، خودِ حوزه‌ی کار فکری است. یعنی تأمل در ویژگی‌ها و کیفیات آن، در چگونگیِ تخصصی‌شدن کار فکری، و در اینکه چگونه در هر چرخه‌ی تولیدْ سرمایه‌داری وظیفه‌ی خاصی را برای نقش اجتماعی روشنفکران و (...) اندیشمندان تعریف می‌کند. به‌ زعم تافوری چنین کاوشی می‌تواند شکلی از فهم غیرایدئولوژیک از امکان‌های موجود برای عمل (روشنفکرانه) پیش از انجام آن به‌دست دهد. (shrink)

A discussion of the origins of the very notion of development, its role in eocnomic thoery, and its discussion in applied ethics.

“Else-where” is a synoptic survey of the representational values given to art, architecture, and cultural production from 2002 through 2011. Written primarily as a critique of what is suppressed in architecture and what is disclosed in art, the essays are informed by the passage out of post-structuralism and its disciplinary analogues toward the real Real . While architecture nominally addresses an environmental ethos, it also famously negotiates its own representational values by way of its putative autonomy ; its main repression (...) in this regard is “landscape,” figure of the Other and figure of the Real. Engaging forms of spectrality, and not necessarily speculative intelligence per se, architecture is also “conscious” of its own complicity in capitalist orders, a complicity that in part underwrites its avant-garde forms of agitation since the onset of modern architecture. As a result, and over the course of the twentieth century, architectural vanguards have successively been depleted such that they return only as reified half-measures in the late-modern production of difference. As such, the essay “Actually Existing Ground” examines the failed promise of Landscape Urbanism. Since the 1960s, as with the allied arts, architecture has evacuated many of the utopian gestures given to modernism and embraced a form of ultra-contingency in a direct alliance with the post-modern and post-Marxist concession to markets and to cultural production as principal means of establishing formal hegemony. This recourse or surrender to the economic-determinist ethos of post-modernity, regardless of attempts to problematize it and/or critique it through types of what Manfredo Tafuri has called “operative criticism” , has, arguably, all but failed, and with the suggestive return circa 2011 of new forms of resistance an exit from the accommodating spirit of the times is indicative of the expectation of strenuous, yet highly formal and non-discursive operations within artistic and architectural production. The essays collected in “Else-where” cross various disciplines, inclusive of landscape architecture, architecture, and visual art, to develop a nuanced critique of an emergent formal regard in the arts that is also an invocation of the highest coordinates given to the arts – formal ontology as speculative intelligence itself – or the return of the universal as utopian thought “here-and-now.”. (shrink)

Procurando aportar a la historia de las ideas en Santa Cruz, el ensayo reflexiona sobre dos pensadores. Así, por un lado, se toma en cuenta la obra y trascendencia de Manfredo Kempff Mercado, el filósofo cruceño más importante del siglo XX, un autor que, pese a morir hace casi 50 años y, además, tener una vida breve, continúa siendo citado por especialistas del pensamiento latinoamericano. Por otra parte, se considera el aporte intelectual de Sergio Antelo Gutiérrez, cuyos artículos y (...) libros fueron significativos para, comenzando esta centuria, discutir sobre la viabilidad del orden estatal. En ambos casos, cabe resaltar el ejercicio de la razón crítica. (shrink)

I describe both the German Aristotelian revival and the Anglo-Saxon virtue-ethics approach and argue that there are some reasons why Grotus's dismissal of Aristotelian practical rationality had finally to be overcome. I suggest that such reasons in turn depend on deeper changes in the structure of the building of modern philosophy, first among them those carried by the critique of Cartesian foundationalism staged by such odd bed-fellows as Peirce, Wittgenstein, Husserl, and Heidegger, adding quasi-Thomist such as Anscombe and Geach. This (...) may account for the apparently unexpected normative turn which took place in the same years (shortly after or before 1958) in two different and comparatively insulated contexts such as Germany and the Anglo-Saxon world. (shrink)