Popular culture continues fuelling public imagination with things, human and non-human, that we might beco-me or confront. Besides robots, other significant tropes in popular fiction that generated images include non-human humans and cyborgs, wired into his-torically varying sociocultural realities. Robots and artificial intelligence are re-defining the natural order and its hierar-chical structure. This is not surprising, as natural order is always in flux, shaped by new scientific discoveries, especially the reading of the genetic code, that reveal and redefine relationships between (...) life forms. However, for the first time, a new, artificial, species is being introduced into the existing diagrams, and, for the first time, it appears to hybridise the anthro-pocentric natural world order. (shrink)

Modernist Architecture and Ruins: On Ruins as a Minus, Neoclassicism and the Uncanny.

Heidegger’s philosophy has influenced largely the humanities and arts and has also been a source of interest in architecture. Although Heidegger has written on architecture, this paper will argue that one of the key topics in his philosophy, intertwined with architecture, is the concept of home (das Heim). In Heidegger’s philosophy, the homely (das Heimische) was intertwined with its opposition, the uncanny (das Unheimliche). This paper discusses the different understandings of home in Heidegger’s seminal works. The paradoxical structure of home (...) in Heidegger’s philosophy is discussed, as home in Heidegger’s philosophy is impossible for modern man with his horrifying nature, perpetuated by the uncanny. (shrink)