The Glagolitic alphabet was intended as a political and religious tool for the Slavs in the ninth century. This paper argues that despite its quick suppression, Glagolitic – arguably composed by Constantine The Philosopher (a brother of Methodius) from Thessaloniki – could have been a mystical tool. The relevant historical context and hagiographical material are explored to establish the alphabet’s origins. Uspenskij’s distinction regarding the palaeographic and ideographic origins of scripts is then followed. A short survey of the most (...) relevant graphic features of some letters, their arrangement in the alphabet, their names, and their possible origins is accompanied by a more in-depth discussion of some key graphemes and their mystical potential. Tschernochvostoff’s theory of Glagolitic being woven upon three basic Christian symbols is elaborated on and expanded. Finally, the stunning (acrophonic) naming of the letters is shown as coding comprehensible Christian, and arguably mystical, messages in Proto-Slavic. (shrink)

The author studies the role of Christianity in two forms of 9th century political ethics in the history of Great Moravia, represented by the Great Moravian rulers Rastislav and Svatopluk. Rastislav’s conception predominantly uses the pre-Erasmian model of political ethics based on the pursuit of welfare for the country and its inhabitants by achieving the clerical-political independence of Great Moravia from the Frankish kingdom and, moreover, by utilising Christianity for the advancement of culture, education, literature, law and legality, as well (...) as by spreading Christian ethics and morality in the form of the Christian code of ethics expressed in ethicallegal documents. Svatopluk’s political conception was a prototype of Machiavellian political ethics, according to which one is, in the interest of the country and its power and fame, allowed to be a lion and/or a fox. Svatopluk abused Christianity in the name of achieving his power-oriented goals. Great Moravia outlived Rastislav; it did not, however, outlive Svatopluk, as, shortly after his death, it broke up and ceased to exist. The author came to the conclusion that Rastislav’s conception was more viable, as its cultural heritage lives on in the form of works by Constantine and Methodius. (shrink)