This paper investigates the strange case of an argument that was directed against a positivist verification principle. We find an early occurrence of the argument in a talk by the phenomenologist Roman Ingarden at the 1934 International Congress of Philosophy in Prague, where Carnap and Neurath were present and contributed short rejoinders. We discuss the underlying presuppositons of the argument, and we evaluate whether the attempts by Carnap (especially) actually succeed in answering this argument. We think they don’t, and offer (...) instead a few sociological thoughts about why the argument seems to have disappeared from the profession’s evaluaton of the positivist criterion of verifiability. (shrink)

Analogical counterfactuals such as “If I were you, I would do so and so...” create a puzzle for philosophical semantics. Whereas the ‘received view' in philosophical semantics has it that the first person pronoun always refers to its utterer, one may wonder whether this is still the case when the first person pronoun is embedded in analogical counterfactuals such as “If I were you, I would stay away from me”. I suggest that the intelligibility of lies in the fact that (...) the token of the expression ‘I' in the consequent of the counterfactual does not refer to its utterer. Should one then conclude, following the ‘anaphoric theory' that the second occurrence of ‘I' in does refer to its addressee? For the ‘anaphoric theory', ‘I' in ‘I would stay away from me' refers anaphorically, thanks to the linguistic context, to the referent of ‘you' in ‘If I were you'. On the basis of an analysis of the imaginative project involved in uttering a practical advise in the form of, I suggest contra the ‘anaphoric theory' that the first pronoun ‘I' in the consequent of behaves as an indexical and that its content is obtained by the application of its character to a pretend context differing from the context of its utterance. According to the so-called ‘pretence theory', the first person pronoun in its second occurrence in pretends to refer to a fictional composite of the utterer and the addressee. (shrink)