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  1. What is the Nature of “the Unperturbed Mind-heart” in Mencius 2A:2?Peter Tsung Kei Wong - 2021 - Chinese Studies 漢學研究 39 (2):1-37.
    「不動心」的本質是甚麼? ─《孟子》〈知言養氣章〉的文理與義理 / 漢學研究 39.2 (2021): 1-37. Scholars have tended to focus on the implications of such philosophical terms as “flood-like qi” 浩然之氣 and “unperturbed mind-heart” 不動心 in Mencius 2A:2, but have failed to identify the common thread of this rather long chapter. This article argues that Mencius 2A:2 frequently alludes to Analects 2.4, and that this allusion is precisely the common thread holding 2A:2 together. According to Mencius’s interpretation, Confucius’s achievements in different ages as stated in Analects 2.4 are (...)
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  2. The Soundscape of the Huainanzi 淮南子: Poetry, Performance, Philosophy, and Praxis in Early China.Peter Tsung Kei Wong - 2022 - Early China 45:515-539.
    This article proposes that oral performance could be a philosophical activity in early China. The focus is on the Huainanzi, a densely rhymed philosophical treatise compiled by Liu An in the second century b.c.e. I show that the tome contains various sound-correlated poetic forms that are intended not only to enable textual performance but also, by means of aural mimesis, to encourage the intuitive understanding of its philosophical messages. Thus scholars of ancient poetry, philosophy, or intellectual history, despite being habituated (...)
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  3. 《淮南子》篇章結構考 (On the Compositional Structure of the Huainanzi).Peter Tsung Kei Wong - 2019 - Dissertation, The Chinese University of Hong Kong
    In 139 BC, Liu An presented the Huainanzi to Emperor Wu. Nowadays, most Western scholars believe that the Huainanzi has a “root-branches” bipartite structure. However, given that the author of the "Yao Lue" chapter (probably Liu An himself) asks the readers to read the Huainanzi from the beginning to its end in a successive order, and given that the text is designed in such a way as to prevent readers from “departing from the root and moving closer to the branches” (...)
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