Explores the role of the thousands of life-size bronze statues "populating" Athens, Rhode, Olympia and other Greek cities. Applied phenomenological hermeneutics.

When does art history begin? Art historiographers typically point to the Renaissance (Vasari) or, alternatively, to Hellenism (Pliny the Elder). But such origin stories become increasingly disconnected from contemporary disciplinary practices, especially as the latter try to rise to the challenge of conducting art history in a more diversified and global way. This essay provides an alternative account of art history’s origin, one that does not try to alleviate the sense of disconnect, but rather develops a global, non-Eurocentric account. (...) The account focuses less on genealogy and more on what necessitates something like an art-historical awareness or attention in the first place. Relying on examples from ancient Mesopotamia, it argues that art-historical thought can be identified whenever and wherever material objects are attended to or produced for their potential to manifest visibly and over time their meaning. (shrink)

In twenty important passages located throughout De rerum natura, Lucretius refers to natural things happening spontaneously (sponte sua; the Greek term is automaton). The most important of these uses include his discussion of the causes of: nature, matter, and the cosmos in general; the generation and adaptation of plants and animals; the formation of images and thoughts; and the behavior of human beings and the development of human culture. In this paper I examine the way spontaneity functions as a cause (...) in other Greek and Latin writers, beginning with Homer and Hesiod, and including Herodotus, Thucydides, Xenophon, Plato, Aristotle, and Theophrastus; among Latin writers Cicero, Pliny, Horace, Vergil and Ovid. I argue that the most important influence (immediately or via Epicurus) on Lucretius’ concept and use of this cause is the natural philosophy of Democritus and his followers and critics. I argue that understanding the nature of spontaneity, and how it differs from chance, is crucial to understanding Lucretius’ account of the cosmos and nature, and also how some of the actions of humans and other animals are “free” and “voluntary”. For in the famous passage at II.251-293 he contrasts free action with action caused or constrained by external forces and outside influences. (shrink)

The adoption of the codex for literature in the Roman world was one of the most significant developments in the history of the book, yet remains poorly understood. Physical evidence seems to contradict literary evidence from Martial's epigrams. Near-total adoption of the codex for early Christian works, even as the book roll dominated non-Christian book forms in the first centuries of our era, has led to endless speculation about possible ideological motives for adoption. What has been unquestioned is the importance (...) of Christian scribes in the surge of adoption from 300 C.E. onward. This article reexamines the foundation of many theories, the timeline for non-Christian adoption sketched by Roberts and Skeat in their study, The Birth of the Codex, and reevaluates it through the lens of “diffusion of innovations theory” in order to reconcile the evidence and elevate practical considerations once and for all over ideological motives. (shrink)