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Sam Wilkinson [3]Stephen Wilkinson [1]
  1.  67
    Status and Constitution in Psychiatric Classification.Tom Roberts & Sam Wilkinson - forthcoming - Synthese.
    Debates surrounding the nature of mental disorder have tended to divide into an objectivist camp that takes psychiatric classification to be a value-free scientific matter, and a normativist camp that takes it to be irreducibly values-based. Here we present an overlooked distinction between status and constitution. Questions of the form “What is x?” are ambiguous between status questions (“What gives something the status of an x?”), and constitution questions (“Given that something has the status of an x, what is it (...)
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  2. Introspection, isolation, and construction: Mentality as activity. Commentary on Hurlburt, Heavey & Kelsey, “Toward a phenomenology of inner speaking”.Joel Krueger, Marco Bernini & Sam Wilkinson - 2014 - Consciousness and Cognition 25:9-10.
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  3. Cutting to the Core: Exploring the Ethics of Contested Surgeries.Michael Benatar, Leslie Cannold, Dena Davis, Merle Spriggs, Julian Savulescu, Heather Draper, Neil Evans, Richard Hull, Stephen Wilkinson, David Wasserman, Donna Dickenson, Guy Widdershoven, Françoise Baylis, Stephen Coleman, Rosemarie Tong, Hilde Lindemann, David Neil & Alex John London - 2006 - Rowman & Littlefield Publishers.
    When the benefits of surgery do not outweigh the harms or where they do not clearly do so, surgical interventions become morally contested. Cutting to the Core examines a number of such surgeries, including infant male circumcision and cutting the genitals of female children, the separation of conjoined twins, surgical sex assignment of intersex children and the surgical re-assignment of transsexuals, limb and face transplantation, cosmetic surgery, and placebo surgery.
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  4. The phenomenology of voice-hearing and two concepts of voice.Sam Wilkinson & Joel Krueger - 2022 - In Angela Woods, B. Alderson-Day & C. Fernyhough (eds.), Voices in Psychosis: Interdisciplinary Perspective. pp. 127-133.
    The experiences described in the VIP transcripts are incredibly varied and yet frequently explicitly labelled by participants as "voices." How can we make sense of this? If we reflect carefully on uses of the word "voice", we see that it can express at least two entirely different concepts, which pick out categorically different phenomena. One concept picks out a speech sound (e.g. "This synthesizer has a "voice" setting"). Another concept picks out a specific agent (e.g. "I hear two voices: one (...)
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