The neoclassical interpretation of quantum mechanics which re-introduces older conceptual models of gravity and electromagnetism transformed by modern advancements in the field is discussed as a natural outcome from the interchangeability of quantum mechanics and fluid dynamics in light of recent macro-level experiments which show behaviors previously believed to be confined to the quantum world. This superfluid model of mechanics and the known behaviors of superfluids is suggested as a possible substrate and system for the storage and processing of data. (...) Methods of data storage found in natural systems such as the brain are compared via extensive use of analogies to support the conjecture that a rational and mechanical basis for spirituality can be supported under the neoclassical interpretation because of the inherent persistent structure and interaction of the suggested pervasive medium. This model of information theory spiritualism is suggested as a basis for the unification of physics with more philosophical approaches in the study of metaphysics. Normal 0 false false false EN-US X-NONE X-NONE Normal 0 false false false EN-US X-NONE X-NONE. (shrink)

Here we discuss and hope to solve a problem rooted in the necessity of the study of historical science, the slow deviation of physics education over the past century, and how the loss of crucial contextual tool has debilitated discussion of a very important yet specialized physics sub-topic: the isotropy of the one-way speed of light. Most notably, the information that appears to be most commonly missing is not simply the knowledge of the historical fact that Poincare and Lorentz presented (...) a mathematically equivalent representation of relativity theory contemporary with Einstein’s publication, but the most deleterious outcome is a lack of understanding of how that theory worked within a mechanical wave system to give the same results in all known experiments via an instrumentation-based illusion. Unfortunately those well educated in relativity theory, often haven’t been granted the advantage of contrast this history of development of the theory gives and thus some of the most direct and critical implications of modern theory are often lost on even graduate students. Chief among the implications that should be trivial to a student of relativity is the incompatibility of a mechanical wave concept of light with the modern assumptions of relativity. However, one should also be able to expect a graduate student to also easily comprehend the mathematical necessity of conjoining space with time is only descended from the presumption of isotropic constancy specifically, and further that the mechanics are one and the same as the relativity of simultaneity. However, many published papers appear to lack this understanding. The result is that the modern consensus appears to have arrived at the conclusion that the one-way speed of light is intrinsically untestable and therefore the physics community has accidentally pushed Minkowski spacetime, and most directly, the relativity of simultaneity, into the domain of pseudoscience, leaving only the historical relativistic “ether” described by Mansouri-Sexl test theory (AKA Lorentz Ether Theory) as the only workable alternative. This situation must be re-examined at the lowest possible level to arrive at an appropriate experimental regime. (shrink)

In a previous paper we outlined a series of historical touchpoints between classical aether theories and modern theoretical physics which showed a shared conceptual lineage for the modern tools and methods of the most common interpretations and fluid based “Hydrodynamic” treatments of an electromagnetic medium. It was proposed that, though the weight of modern experimentation leaves an extremely narrow and convoluted window for even a reconceptualization of a medium, all of modern physics recognizes a plethora of behaviors and attributes for (...) free space and these physics are interchangeable with modern methods for treating superfluid-like continuums. Thus the mathematical equivalence of the methods do not comprise alternative physics but an alternative interpretation of the same physics. Though many individual components describing a “neo-aether” or “quintessence” are available, an overarching structural outline of how these tools can work together to provide an alternative working overview of modern physics has remained undefined. This paper will propose a set of introductory concepts in the first outline of a toy model which will later connect the alternative tools and conceptualizations with their modern counterparts. This introductory paper provides the simpler “100-miles out” overview of the whole of physics from this perspective, in an easily comprehensible, familiar and intuitive, informal dialog fashion. While this paper grants the largest and loosest introductory overview, subsequent papers in this series will address the finite connections between modern physics and this hydrodynamic view. (shrink)

The need for revolution in modern physics is a well known and often broached subject, however, the precision and success of current models narrows the possible changes to such a great degree that there appears to be no major change possible. We provide herein, the first step toward a possible solution to this paradox via reinterpretation of the conceptual-theoretical framework while still preserving the modern art and tools in an unaltered form. This redivision of concepts and redistribution of the data (...) can revolutionize expectations of new experimental outcomes. This major change within finely tuned constraints is made possible by the fact that numerous mathematically equivalent theories were direct precursors to, and contemporaneous with, the modern interpretations. In this first of a series of papers, historical investigation of the conceptual lineage of modern theory reveals points of exacting overlap in physical theories which, while now considered cross discipline, originally split from a common source and can be reintegrated as a singular science again. This revival of an an older associative hierarchy, combined with modern insights, can open new avenues for investigation. This reintegration cross-disciplinary theories and tools is defined as the “Neoclassical Interpretation.” . (shrink)

The Sense Complexity Dataset (SeCoDa) provides a corpus that is annotated jointly for complexity and word senses. It thus provides a valuable resource for both word sense disambiguation and the task of complex word identification. The intention is that this dataset will be used to identify complexity at the level of word senses rather than word tokens. For word sense annotation SeCoDa uses a hierarchical scheme that is based on information available in the Cambridge Advanced Learner’s Dictionary. This way we (...) can offer more coarse-grained senses than directly available in WordNet. (shrink)

During the past two decades or so, the emergence and ever-accelerating development of digital media have sparked scholarly interest, debates, and complex challenges across many disciplines in the social sciences and the humanities. Within this diverse scholarship, the research on digitality, gender, sexuality, and embodiment has contributed substantially to many academic fields, such as media studies, sociology, religion, philosophy, and education studies. As a part of the special issue “Gender, Sexuality, and Embodiment in Digital Spheres: Connecting Intersectionality and Digitality,” this (...) roundtable consists of a conversation between five researchers from different (inter)disciplinary locations, all addressing matters of methodology, intersectionality, positionality, and theory in relation to the topics of gender, sexuality, and embodiment in digital spheres. Said roundtable begins with a critical self-positioning of the participants’ (inter)disciplinary and embodied locations using examples from their own research. The conversation then progresses to how these researchers have employed contemporary theories, conceptual vocabularies, methods, and analyses of gender, sexuality, and embodiment in digital spheres to then conclude with some ethico-political notes about collaborations between scholars and (digital) activists. (shrink)

cloud computing is a general term used to depict another class of system based computing that happens over the web. The essential advantage of moving to Clouds is application versatility. Cloud computing is extremely advantageous for the application which are sharing their resources on various hubs. Scheduling the errand is a significant testing in cloud condition. Typically undertakings are planned by client prerequisites. New scheduling techniques should be proposed to defeat the issues proposed by organize properties amongst client and resources. (...) New scheduling systems may utilize a portion of the customary scheduling ideas to consolidate them with some system mindful procedures to give answers for better and more effective employment scheduling. Scheduling technique is the key innovation in cloud computing. This paper gives the study on scheduling calculations. There working regarding the resource sharing. We systemize the scheduling issue in cloud computing, and present a cloud scheduling pecking order. (shrink)

Shiva means nothing; nothing from which everything was created; created and manifested to be adorned and respected. Observers cannot exist when the whole world is in non-duality because all is one; no distinction between observers and observed would be possible. Therefore to satisfy the urge for an observer, Shakti or energy manifests itself as consciousness. Consciousness, the manifested gives us the ability to perceive and experience. Religion originates from our perception as a medium to bring in morality and humanity (...) and helps us experience reality. We emerge from nothingness and go back to nothingness. (shrink)

[First paragraph]: Believe it or not, it’s no exaggeration to say that Ender’s Game has been the most transformative book of my life. In fact, when I first read it, at the age of fifteen, it almost single-handedly initiated a crisis of faith in me that ended up lasting for eight long years. The reason that it was able to do so is that it is positively full of important philosophical ideas (a fact attested to by the very existence of (...) this volume and its many essays). It should come as no surprise to fellow science fiction fans—and especially fans of Ender’s Game in particular—that science fiction is full to bursting with philosophical ideas. But the skeptical reader need not fear; in this case, at least, you don’t have to take my word for it. Orson Scott Card’s 1991 edition of Ender’s Game mentions his master’s degree in literature, and that all “the layers of meaning are there to be decoded, if you like to play the game of literary criticism.” So if you think you might have found a hidden layer of meaning in Ender’s Game, it’s a lot less likely that he or she is just crazy, and a lot more likely that there really is some hidden meaning there—and maybe even one that Card himself consciously put there to be found! (shrink)

This paper addresses the generally neglected topic of Vandana Shiva’s ontology. It is argued that there is a significant ontological component to Shiva’s ecofeminist philosophy and that this ontology underpins her ecological and feminist views. Shiva’s ontology provides a standpoint from which she can critique dichotomous ontologies of domination and oppression, and from which she can identify life-sustaining modes of existence. It is argued that this ontology is implicit in most of her works and is best grasped (...) through the analysis of her critique of Western scientific metaphysics. It is further argued that this implied ontology is a continuation of the Hindu-ecofeminist ontology of Prakriti explicitly set forth in Shiva’s Staying Alive (1989). Both forms of Shiva’s ontology, the explicit and the implicit, will be reconstructed and their points of continuity detailed. (shrink)

This paper examines the concept of manifestation process in Kashmir Shaivism from Shiva tattva to Prithvi tattva and their transcendental and immanent predicates (Prakrti and Purusa).This paper also shows that the ultimate reality, Paramshiva, manifests itself into various forms which likely represent the theory of causation. This research paper also provides answer to two questions; First, how ultimate reality with its thirty-six principles or elements manifest in various forms and what types of forms ‘Descent’ attains from the ‘universal self’? (...) Second, how manifestation process takes place from the ‘cosmic self’ (universal consciousness) to a ‘limited self’ (Jiva)? Since, this paper is based on philosophical exploration of manifestation process and contains interpretation and argumentation of Pratyabhijna philosophy only; it excludes manifestation due to Yogas (Upayas) and Karmas. Moreover, it explains the Trika form of reality (Shiva/God, Shakti/World, and Nara/Man) and also the identity between ‘ascent’ and ‘descent’. Manifestation further investigates the union of Shiva and Shakti with Maya and displays its character (Prakashvimarshmaya). This work further tries to describe the contribution of Abhinavagupta in the concept of manifestation. (shrink)

This paper argues that histories of the Green Revolution are often underpinned by commitments to theoretical models of technology and science which shape the parameters of such narratives in politically normative ways. This paper explores the accounts of the Green Revolution in India given by Vandana Shiva and Govindan Parayil and demonstrates the ways in which these accounts are influenced by their models of technology and science. It is argued that Shiva and Parayil represent key theoretical positions in (...) technological theory, determinist and instrumentalist, respectively, and that examination of their Green Revolution narratives clearly indicates the ways in which such theoretical commitments can determine the scope and content of analyses of technology-driven development, and thereby exclude political content necessary for the evaluation of the efficacy of such development and the validity of the theoretical model. (shrink)

Ecofeminist philosophy is a development of feminist philosophy that addresses the intersection of sexism and environmental issues. Coined by Francoise d’Eaubonne, the term “ecofeminism” refers to a diverse collection of feminist thought that shares the conviction that the present environmental crisis is due not solely to the anthropomorphic nature of dominant conceptualisations of human-nature relations, with their emphasis on notion of mastery and control, but also to their androcentric nature. Technology features frequently in ecofeminist writings, in analyses of technocracy (Birkeland (...) 1993), Nuclear Power (Caputi 1993), reproductive technologies (Diamond 1990), or the production of computer interfaces (Romberger 2011), to give but a few examples. Despite being a recurrent theme, technology itself as a phenomenon is rarely directly considered. For many ecofeminists technology seems to operate as an umbrella term for a collection of artefacts whose positive or negative characteristics are ultimately contingent upon the manner in which they are employed. The individual technologies appear as value neutral. There are of course exceptions to this piecemeal approach to technological artefacts, and in this chapter I shall focus upon two ecofeminist philosophers whose consideration of technology moves from the individual instance towards a more general account of the nature of technology. The first, Karen Warren, gives technology a central place in her philosophical analysis. However, I shall suggest, her commitment to an instrumental understanding of technology renders her approach problematic. I will then consider the work of Vandana Shiva. Standard analyses of Shiva’s work tend to overlook the philosophical dimensions of her thought, in particular the continuous emphasis on science and technology. I argue that Shiva puts forward a sophisticated technological determinist philosophy of that emphasises the role of political and patriarchal interests in technological development and subsequent social and environmental interventions. (shrink)

If, as Vandana Shiva has argued it in Biopiracy: The Plunder of Nature and Knowledge (1997), that ‘the new colonies are to be found in the bodies of women, plants and animals,’ then what are the new and not yet evidenced consequences of the efforts to make women ‘a site of passivity and negotiation’? There are little to no intergenerational studies of the impact of the chemical load on reproduction and future generations. The erosion of regenerative power, through exhaustive (...) practices as Teresa Brennan describes it in Exhausting Modernity (2000), in a novel way has become a radical form of toxicity that is disproportionally distributed. (shrink)

In this article, I apply Australian logician and ecofeminist philosopher Val Plumwood’s Feminism and the Mastery of Nature, specifically its alternative logic of “the dance of interaction,” to a controversial community-engagement program in my home state of Alabama. At Rural Studio, Auburn University students design free housing and public works for one of the poorest regions in the United States, known as the “Black Belt.” Through the lens of Plumwood’s ecofeminist dancing logic, the marginalized source of Rural Studio’s survival is (...) revealed to be the resilience of the disempowered majority-Black community. Inspired thereby, I sketch an ecofeminist choreography with three “dancing” concepts (namely Plumwood’s “the master model,” Vandana Shiva’s “nature’s logic,” and Ariel Salleh’s “holding”), acknowledging the resilience of the disempowered as a necessary step toward an ethically-sustainable aesthetics. (shrink)

Comparative religion scholar Thomas Berry’s influential concept of “Earth jurisprudence” has been helpfully elaborated in three principal books. My first section identifies four of their common themes, deriving therefrom an implicit narrative: (1) the basis of ecology is autopoiesis, which (2) originally generated human communities and Indigenous vernacular laws, which were (3) later reasserted by forest defenders who fought to create the Magna Carta’s “Charter of the Forest,” which is (4) now championed globally by the Indian physicist and eco-activist Vandana (...) Shiva’s Earth Democracy movement. My next three sections identify mutually exclusive elements of the three books, deriving the following alternative narrative: self-conscious new dancing rituals (Cullinan) could empower an historically informed reconstruction of private property (Burdon) via commons-based vernacular law (Weston and Bollier). And my conclusion offers one template for such a strategy, namely a new environmental variation on my dancing-poetic conception of legal justice, christened “emerald star-law.”. (shrink)

Having elsewhere connected Walter Otto’s interpretation of Dionysus as a politically progressive deity to Huey P. Newton’s vision for the Black Panthers, I here expand this inquiry to a line of Otto-inspired scholarship. First, Alain Daniélou identifies Dionysus and Shiva as the dancing god of a democratic/decolonizing cult oppressed by tyrannical patriarchies. Arthur Evans sharpens this critique of sexism and heteronormativity, concluding that, as Dionysus’s chorus is to Greek tragedy, so Socrates’s circle is to Western philosophy. I thus call (...) for the creation of a hybrid Dionysian-Socratic revolutionary philosophical chorus, modeled on Dionysus Lyseus, wielding philosophical analysis to loosen injustice’s bonds, as a vanguard of social justice. I find a handbook for this chorus’s creation in Euripides’s Bacchae, whose Dionysus is an ally of immigrant women, overthrower of Theban patriarchy, and international revolutionary. Finally, I offer a contemporary example of such a chorus that is based in my hometown in Alabama, namely, the Birmingham Philosophy Guild. (shrink)

The structure of my investigation is as follows. I will begin with Schopenhauer’s very brief explicit mention of dance, and then try to understand the exclusion of dance from his extended discussion of the individual arts. Toward this latter end I will then turn to Francis Sparshott essay, which situates Schopenhauer’s thought in terms of Plato’s privileging of dance (in the Laws) as the consummate participatory art, and which observes that Schopenhauer’s dance is that of Shiva, lord of death. (...) In light of these two moments, I will then offer a brief examination of the Laws’ account of dance, and two essays by Avanthi Meduri’s on classical Indian dance. Next, to help explain Schopenhauer’s negative position vis-à-vis Plato and Vedantic thought, I will invoke Schopenhauer’s own conception of madness qua disconnection. Finally, I will attempt to cure this “madness” in Schopenhauer—as Wendy did for Peter Pan when he lost his shadow and could not reattach it himself—by sewing together Schopenhauer’s conceptions of embodiment and music, and in effect reattaching the shadow to the body of Schopenhauer’s position on dance using the thread of his own philosophy. In short, I will show how even a thought as life-denying as Schopenhauer’s can—with the help of dance—overcome itself into life-affirmation. (shrink)

This paper delves into the enigmatic figure of Tom Bombadil in J.R.R. Tolkien’s \textit{The Lord of the Rings}, offering a fresh reinterpretation through the lens of Indian metaphysics. Bombadil’s detachment from the One Ring and his carefree existence suggest philosophical parallels with non-dual traditions, particularly Advaita Vedanta and Kashmir Shaivism. By analyzing Bombadil alongside the concepts of the Avadhūta and \emph{jivanmukta}, this paper aligns his character with the Indian metaphysical notion of transcendence beyond dualism. -/- Moreover, Bombadil’s relationship with Goldberry (...) is interpreted as a reflection of the Shiva-Shakti dynamic from Kashmir Shaivism, representing the archetypal union of consciousness and energy. This paper further positions Bombadil as embodying pure, formless consciousness—a non-dual, attributeless aspect of Eru Ilúvatar. While acknowledging Tolkien's Catholic influences, this paper demonstrates that Bombadil's role resonates with universal themes of transcendence and consciousness, revealing his centrality as a figure that challenges the dualistic moral and metaphysical structures of Middle-earth. (shrink)

This paper delves into the enigmatic figure of Tom Bombadil in J.R.R. Tolkien’s 'The Lord of the Rings', offering a fresh reinterpretation through the lens of Indian metaphysics. Bombadil’s detachment from the One Ring and his carefree existence suggest philosophical parallels with non-dual traditions, particularly Advaita Vedanta and Kashmir Shaivism. By analyzing Bombadil alongside the concepts of the Avadhūta and Jivanmukta, this paper aligns his character with the Indian metaphysical notion of transcendence beyond dualism. -/- Moreover, Bombadil’s relationship with Goldberry (...) is interpreted as a reflection of the Shiva-Shakti dynamic from Kashmir Shaivism, representing the archetypal union of consciousness and energy. This paper further positions Bombadil as embodying pure, formless consciousness—a non-dual, attributeless aspect of Eru Ilúvatar. While acknowledging Tolkien's Catholic influences, this paper demonstrates that Bombadil's role resonates with universal themes of transcendence and consciousness, revealing his centrality as a figure that challenges the dualistic moral and metaphysical structures of Middle-earth. (shrink)

Novel is a time-art. Gunamoy Manna writes novel, express truth with the help of time. Gunamoy Manna is an anti-establish writer. He enlightens those people, whom live for truth and life. 'Mute` is one of the most extra-ordinary novel in history of Bengali novel, because most popular religious and cultural festival 'Gaajan` and its philosophy is the main theme in this novel. The main character Sudhir overcomes all the problems through his faith on lord Shiva.

This is a draft on the Shvetashvatara Upanishad. This is just the author's internal scribblings...the references can all be Googled. If the ideas here are to be referred; they need appropriate citations. This is being made available for fair use during this ongoing COVID 19 pandemic.

This reviewer had earlier had the misfortune of reviewing Sarah Jacoby's puerile book on Sera Khandro for Prabuddha Bharata. Jacoby had nearly made this reviewer puke. Same is the case with Bihani Sarkar's monograph. On the basis of this monograph she might win academic brownie points but it is a study which should have been dumped. The existence of the monograph is not only an insult to Hinduism and the Sanatana Dharma; it is technically wrong in its structuralist, iterative hermeneutics (...) which derives from the likes of Mircea Eliade. The reviewer knows that Sarkar will one day be a biggie in the first world peddling Hinduism ; she should have confined herself only to Sanskrit literature and not try to pass herself as a (faux) Hindu theologian. This book does no credit to the publisher. (shrink)