Order:
See also
Sveinung Sundfør Sivertsen
University of Bergen
  1.  76
    Love Redirected: On Adam Smith's Love of Praiseworthiness.Sveinung Sundfør Sivertsen - 2017 - Journal of Scottish Philosophy 15 (1):101-123.
    Why be moral? Why, in the language of Adam Smith, act on what you think is praiseworthy even when it does not get you praise from other people? Because, answers Smith, you love praiseworthiness. But what is this love of praiseworthiness, and where does it come from? In this article, 1) I argue that we start to love praiseworthiness when we redirect our love of praise away from other people toward the ‘impartial spectator’-aspect of ourselves, and 2) show how this (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  2.  22
    On the Practical Impossibility of Being Both Well-Informed and Impartial.Sveinung Sundfør Sivertsen - 2019 - Erasmus Journal for Philosophy and Economics 12 (1):52-72.
    Adam Smith argued that the ideal moral judge is both well-informed and impartial. As non-ideal moral agents, we tend only to be truly well-informed about those with whom we frequently interact. These are also those with whom we tend to have the closest affective bonds. Hence, those who are well-informed, like our friends, tend to make for partial judges, while those who are impartial, like strangers, tend to make for ill-informed ones. Combining these two traits in one person seems far (...)
    Download  
     
    Export citation  
     
    Bookmark  
  3.  45
    Moral Tuning.Sveinung Sundfør Sivertsen, Jill Halstead & Rasmus T. Slaattelid - 2018 - Metaphilosophy 49 (4):435-458.
    Can a set of musical metaphors in a treatise on ethics reveal something about the nature and source of moral autonomy? This article argues that it can. It shows how metaphorical usage of words like tone, pitch, and concord in Adam Smith's Theory of Moral Sentiments can be understood as elements of an analogical model for morality. What this model tells us about morality depends on how we conceptualise music. In contrast to earlier interpretations of Smith's metaphors that have seen (...)
    Download  
     
    Export citation  
     
    Bookmark