Raymond Carver's stories have received many labels: minimalism, K-mart fiction, low-rent tragedy, neo-realism. Paring language, plot, and characterization to the bone, Carver concentrates his stories on instances of judgment and choice. These climactic moments affect not only the characters, but also the reader, who is called to fill the gaps in the text. The gaps generally show the unrelatedness of the characters' responses to the situations in which they find themselves. Relying on formulae, concepts, and rules taken for (...) granted as common knowledge, Carver's characters make choices and judgments which reveal the displacement of their consciousness of themselves and of the world. In trying to fill the gaps, the reader finds himself/herself in the same stance of making judgments and choices, and of looking at his/her own displacement. This predicament is more poignantly conveyed in the early stories, collected in Will You Please Be Quiet, Please?, Furious Seasons, and What We Talk About When We Talk About Love, since Carver writes about people "on the other side of the tracks," that is, on the edges of the sites of power and decisions. Bartenders, wage workers, and salespeople, Carver's characters in these early stories see their lives always threatened by joblessness, bankruptcy, and homelessness. In the later stories, collected in Cathedral and Where I'm Calling From, Carver explores possibilities in conversation, storytelling, and rituals that celebrate the here and now of each occasion and allow the merging of voices and feelings that places the individual's consciousness in the world. (shrink)

The eight contributions in this volume result from three conferences held at the Université Michel de Montaigne Bordeaux 3 between 2005 and 2007 on nature and household relations, nature and regime-types (politeiai), and nature and education. Three of the chapters examine Aristotle’s notion of nature through consideration of his remarks about the household (specifically, the relationship between family relations and constitutions in cities, the critique of Plato’s dissolution of the family, and the different senses of nature in the Politics), two (...) are focused on the nature of regime-types (specifically kingship and the relationship between politeia and laws), and the final three chapters are concerned with the nature of the best regime described in Politics VII-VIII (specifically the discussion of thumotic peoples in VII.7, the implicit critique of Plato in the account of the material conditions of the best regime, and the place of leisure in Politics VII.14). Pierre Pellegrin, a major translator and scholar on Aristotle’s political and biological writings provides a preface on the tension between universality and cultural specificity in contemporary reading of the Politics. (shrink)