Results for 'Thalia Wheatley'

4 found
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  1. Against the Illusory Will Hypothesis. A Reinterpretation of the Test Results in Danial Wegner and Thalia Wheatley’s I Spy Experiment.Robert Reimer - 2021 - Software Engineering and Formal Methods. SEFM 2020 Collocated Workshops. SEFM 2020. Lecture Notes in Computer Science.
    Since Benjamin Libet’s famous experiments in 1979, the study of the will has become a focal point in the cognitive sciences. Just like Libet the scien-tists Daniel Wegner and Thalia Wheatley came to doubt that the will is causally efficacious. In their influential study I Spy from 1999, they created an experi-mental setup to show that agents erroneously experience their actions as caused by their thoughts. Instead, these actions are caused by unconscious neural pro-cesses; the agent’s ‘causal experience (...)
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  2. Apparent mental causation: Sources of the experience of will.Daniel M. Wegner & T. Wheatley - 1999 - American Psychologist 54:480-492.
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  3. The Quest for a Global Age of Reason. Part II: Cultural Appropriation and Racism in the Name of Enlightenment.Dag Herbjørnsrud - 2021 - Dialogue and Universalism 31 (3):133-155.
    The Age of Enlightenment is more global and complex than the standard Eurocentric Colonial Canon narrative presents. For example, before the advent of unscientific racism and the systematic negligence of the contributions of Others outside of “White Europe,” Raphael centered Ibn Rushd (Averroes) in his Vatican fresco “Causarum Cognitio” (1511); the astronomer Edmund Halley taught himself Arabic to be more enlightened; The Royal Society of London acknowledged the scientific method developed by Ibn Al-Haytham (Alhazen). In addition, if we study the (...)
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  4. Immanent Frames. Postsecular Cinema between Malick and von Trier. [REVIEW]Maria Irene Aparicio - 2021 - Cinema: Journal of Philosophy and the Moving Image 13:107-113.
    Sob o título "Immanent Frames. Postsecular Cinema between Malick and von Trier", o livro editado por John Caruana e Mark Cauchi inclui um conjunto significativo de artigos sobre cinema “pós-secular”, de autores prestigiados, nomeadamente os próprios editores, mas também Robert Sinnerbrink, Catherine Wheatley, Sarah Cooper e William Rotham, entre outros. O livro está estruturado em 13 capítulos, distribuídos por três partes – Parte I: “The Poles of Postsecular Cinema: Malick and Von Trier”; Parte II: “The Spectrum of Postsecular Cinema: (...)
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