The paper discusses Leo Tolstoy's philosophy as developed in his works 'A Synoptic Presentation of the Four Gospels' and 'The Gospel in Brief'. Tolstoy considered Christian religion not as a belief but as an ethical doctrine about how to live, so that our life does not lose its meaning when confronted with the death. Jesus' doctrine teaches that we must lead our life following our spirit, not our flesh. This means that we must strive to understand other persons and to (...) be good to them. Then God will stay with us and we will lose our fear of the death.. (shrink)

The tragic death in Tolstoy's writings has helped both Max Weber and György Lukács in characterizing the modern pathos as a tragic contemplation of the emptiness of life. Through Tolstoy's readings, Weber and Lukács found an interesting source of denying arts and modern sciences autonomy, considering, from the aesthetics sphere, the meaningless of this new immanent reality. Both has assumed Tolstoy main theme from the same perspective, contrasting ancient and modern worldviews. Max Weber presented this theme in his disenchantment of (...) world theory and Lukács, in a very similar way, following the paradox of religious needing as a mainline. -/- O tema da morte trágica, presente nos escritos de Liev Tolstói, auxiliou tanto a Max Weber como a György Lukács a caracterizarem o pathos moderno de pressentimento da morte como uma contemplação do vazio. Weber e Lukács encontraram, através das leituras de Tolstói, uma interessante maneira de questionar a autonomia da arte e da ciência moderna, considerando pela esfera estética, como se mostra sem sentido a recente realidade imanente. Ambos assumiram o tema central das obras de Tolstói segundo uma mesma imagem, derivada do contraste entre o mundo antigo e o moderno. Max Weber adequou esse tema a sua teoria do desencantamento do mundo e Lukács, de modo muito semelhante, seguindo seu conceito do paradoxo da necessidade religiosa. (shrink)

Aida Míguez Barciela explora la literatura evocando a la vez problemas fundamentales en la historia de la filosofía: los límites de la razón en la interpretación de Swift, la relación del capital y la moral en las novelas de Balzac y Defoe, la cuestión de la libertad del individuo en las lecturas de Kafka y Henry James, así como el problema del arte y la vida en Thomas Mann y Yourcenar. Con un estilo personal y al margen tanto de los (...) trabajos puramente académicos como de la crítica literaria más convencional, "Cuando los pájaros cantan en griego" incluye también ensayos sobre Virginia Woolf y Jane Austen, Melville y Mishima, Tolstói y los poemas homéricos, así como sobre otros autores que solemos considerar «clásicos». (shrink)

The paper focuses on the problem of the “anthropological turn” in Russian Neo- Kantianism. There are three sources of this “anthropological turn”. The first one is the concept of man in German Neo-Kantianism which was developed on the basis of Kant’s ethics. The second one is the influence of Russian culture and history. The third is the state of Russian philosophy at the end of the 19th and the beginning of the 20th century. The Russian Neo-Kantians reflected closely on the (...) doctrine of Leo Tolstoi and on the existence of man in the contemporary historical changes and cataclysms. They conclude the freedom of man as his essence depends on the political state of society and its moral base. There is no genuine existence of man without social politics based on morality and the human ideal. (shrink)