Results for 'Vincenza Tarantino'

5 found
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  1. A novel Holistic Risk Assessment Concept: The Epistemological Positioning and the Methodology.Carrodano Tarantino Cinzia - unknown
    Risk is an intrinsic part of our lives. In the future, the development and growth of the Internet of things allows getting a huge amount of data. Considering this evolution, our research focuses on developing a novel concept, namely Holistic Risk Assessment (HRA), that takes into consideration elements outside the direct influence of the individual to provide a highly personalized risk assessment. The HRA implies developing a methodology and a model. This paper is related to the epistemological positioning of this (...)
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  2. "You Ain't Gonna Get Away Wit' This, Django": Fantasy, Fiction and Subversion in Quentin Tarantino's, Django Unchained.Jack Black - 2019 - Quarterly Review of Film and Video 36 (7):611-637.
    From 2009 to 2015, U.S. director, Quentin Tarantino, released three films that were notable for their focus on particular historical events, periods and individuals (Inglorious Basterds 2009; Django Unchained 2012; The Hateful Eight 2015). Together, these films offered a specifically “Tarantinian” rendering of history: rewriting, manipulating and, for some, unethically deploying history for aesthetic effect. With regard to Django Unchained, this article examines how Tarantino’s historical revisionism provides a valuable point of inquiry into the ways in which “history” (...)
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  3. A Counter-Forensic Audit Trail: Disassembling the Case of The Hateful Eight.Matthew Fuller & Nikita Mazurov - 2019 - Theory, Culture and Society 36 (6):171-196.
    Forensics is proposed as a means to understand, trace, and recompile data and computational activities. It has a securitocratic dimension and one that is being developed as a means of opening processes, events and systems into a more public state. This article proposes an analysis of forces at play in the circulation of a ‘screener’ of Quentin Tarantino’s The Hateful Eight and associated files, to suggest that forensic approaches used to control flows of data may be repurposed for dis­semination. (...)
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  4. Ideology, Socratic elenchus, and Inglourious Basterds.Ian Schnee - 2013 - Film and Philosophy 17:1-22.
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  5. Travolta’s Elvis-man and the Nietzschean Superman.Ian Schnee & Bence Nanay - 2007 - In K. Silem Mohammad & Richard Greene (eds.), Quentin Tarantino and Philosophy: How to Philosophize with a Pair of Pliers and a Blowtorch. Open Court.
    Vincent Vega from Pulp Fiction and the Nietzschian Superman!!!
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