The problem of evil is a perennial issue in metaphysics, philosophy of religion and theology. In Yorùbá thought, it has been approached, appraised, and conceptualised by scholars from different perspectives, usually in the form of thesis and antithesis. For instance, Ẹ̀bùn Odùwọlé and Kazeem Fáyẹmí disagree on whether or not the problem arises in Yorùbá thought and on its nature or formulation, if it does. Relying on the Western logical formulation of the problem, Odùwọlé maintains that the problem of evil (...) arises in Yorùbá thought exactly like it does in Western thought; hence, for her, the problem of evil is universal. Against this view, Fáyẹmí contends that the philosophical problem of evil does not arise at all in Yorùbá thought; hence, the problem, according to him, is not universal. Employing the methods of critical exposition and analysis, however, I maintain a position different from those of the two scholars mentioned. I contend, on the one hand, that the existence of the philosophical problem of evil in Yorùbá thought does not necessarily imply the logical formulation of the problem as we have in the West. On the other hand, however, I maintain that the absence of the logical formulation of the problem of evil in Yorùbá thought does not directly imply the absence of the philosophical problem of evil in it. I therefore approach the interpretation of the philosophical problem of evil in Yorùbá thought from an existentialist perspective, drawing insights from some relevant verses of Ifá. -/- . (shrink)

Scientific experiments which try to examine free will are faced with various critical arguments — both philosophical and methodological. In this article I will present the most important and the most interesting critical arguments attacking two the most influential experiments: Benjamin Libet experiment and John‐Dylan Haynes experiment. In the first part of the article I will consider a particular criticism of Libet paradigm, which loses its importance in context of Haynes paradigm. Next I will present critical arguments which attack both (...) Haynes and Libet experiments (and probably all other psychophysiological experiments facing free will problem). Because of this analysis I will consider informative value of presented experiments in context of existence of free will. (shrink)

This paper interrogates Abdul Rasheed Abiodun Adeoye’s ‘neo-alienation’ directorial style’ as a viable directing technique on African theatre stage. The ‘neo-alienation’ style is an offshoot of Bertolt Brecht’s epic theatre that enhances the total theatre aesthetics and encourages actors’-audience’s relationship. It is a directorial style that has been tested severally on the Nigerian stage and proved worthy of exploration. Using the participant-observation and the deductive research methods, the theory shall be examined in relation to its usage in the production of (...) Adeoye’s The Smart Game- (A Neo- Alienation Script) and Wole Soyinka’s The Lion and the Jewel as directed by AbdulRasheed Abiodun Adeoye in 2002 and 2004 respectively. Thus, the study aims to archive and document the ‘neo alienation’ directing theory because of its immense aesthetics values to African plays and theatre directors. The study also showcases Adeoye as a conscientious theatre director, in whose works, other directors can learn from. The study concludes that the ‘neo-alienation’ aesthetics has been found to be a unique style full of theatrical spectacles that are capable of adding aesthetics and enhance African productions if explored. It is, therefore, recommended that Nigerian and African directors should work towards propounding at least a directorial style each which will add value to African theatre; the study also suggests that directors who have evolved their own directorial styles should endeavor to have them documented for posterity. (shrink)