Results for 'Yorgos Zikos'

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  1. Social kind realism as relative frame manipulability.Yorgos Karagiannopoulos & Alexios Stamatiadis-Bréhier - 2024 - Philosophical Studies 181 (6):1655–1679.
    In this paper we introduce the view that realism about a social kind K entails that the grounding conditions of K are difficult (or impossible) to manipulate. In other words, we define social kind realism in terms of relative frame manipulability (RFM). In articulating our view, we utilize theoretical resources from Epstein’s (Epstein, The ant trap: Rebuilding the foundations of the Social Sciences. Oxford University Press, 2015) grounding/anchoring model and causal interventionism. After comparing our view with causal and principle-based (Tahko, (...)
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  2. Consciousness as a system.Nikos Zikos - manuscript
    In this paper we will try to find resemblances of the operation of human consciousness with systems with the intention to simulate it mathematically. Also we will try to do the same for the non-conscious operations and try to synthesize the human mind in form of system with subsystems.
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  3. Against cross-world anchoring.Yorgos Karagiannopoulos & Alexios Stamatiadis-Bréhier - 2024 - Synthese 204 (158):1-26.
    A social fact S is grounded by some plurality of grounds. And the fact that S has the grounding-conditions it does is anchored by some set of anchors. Epstein has recently suggested (2019) that the anchoring relation is a cross-world determination relation. In this paper we put forward three arguments against this view. First, we argue from the analogy between social and non-social kinds: there is no cross-world determination involved in non-social natural kinds. Secondly, we take issue with the very (...)
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  4.  31
    A review of The Killing of a Sacred Deer, by Yorgos Lanthimos, 2017 From Ancient Greek justice to Christian unconditional love: creative liberation from the chain of fate. [REVIEW]Patrizia Salvatore - 2023 - Heliopolis Culture Civiltà Politica Issn 2281-3489 Anno Xxi Numero 1 – 2023 (1):111-115.
    Lanthimos’ film, The Killing of a Sacred Deer, though widely unpopular, can be seen as a profound interpretation of the question of our freedom to choose and how unconditional love leads us to self-responsibility. The film is rich with symbolism which echoes Iphigenia with subtle Christian references, such as the use of Schubert’s Jesus Christus and Bach’s St. John Passion. Perhaps the film has been poorly received also because of the actors’ striking performances which, without seeing the meaning of the (...)
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