Architecture and Deconstruction. Case of Peter Eisenman and Bernard Tschumi -/- Intensive relations between philosophical deconstruction and architecture, which were present in the late 1980s and early 1990s, belong to the past and therefore may be described from a greater than before distance. Within these relations three basic variations can be distinguished: the first one, in which philosophy of deconstruction deals with architectural terms but does not interfere with real architecture, the second one, in which a collaboration between Jacques Derrida (...) and a group of architects interested in his concepts is commenced, and the third one, in which completed or only designed objects or new concepts of deconstruction created by architects gain their supremacy over philosophy. The following book analyses these three possible ways, first of all with the reference to Peter Eisenman and Bernard Tschumi. (shrink)

In my paper I present a critique of Dorota Brylla’s interpretation of the dialogue by Nicholas of Cusa - De Deo abscondito, and a critique of her stance on apophatic theology. I consider Brylla’s position an exemplification of a more widespread philosophical point of view in terms of both the interpretation of Nicholas thought and the apophatic tradition as such. I also present an alternative reading of both his dialogue and apophatic theology. Finally, I point out some implications of adopting (...) my position for philosophical theology and the philosophy of religion. (shrink)

The author proposes a neophenomenological interpretation of the late Jacques Derrida’s deconstruction, by bringing it into the light of (post)secular negative philosophy and indicating the application of its mystic/ecstatic implications on a media techno-vision basis. In this conceptualization, deconstruction/negation, as an ,epoche strategy, not only denudes (kenosis) cognition of the idolatry, characteristic of the traditional methaphysics of presence and the dogmatic religion, but also suspends “the source” itself (the Offenberkeit register), and thus, causes the experience of radical emptiness (chora) as (...) a condition of an opening to the Impossible. The author, by presenting the concept of negative image, demonstrates that technology visual media provide a suitable space (groundlessness) for Impossible to manifest itself in post-industrial culture. (shrink)

The present paper aims at showing that the phenomenological method is a crucial methodological element of every research that is based on the interpretation of utterances or texts based on experiences, like religious studies. Following the neophenomenological school, the notion of “phenomenon” is understood in a radically relative way: “A phenomenon for a person at a given point of time is a state of affairs for which this person cannot — in spite of trying to vary the presuppositions she makes (...) as much as possible — withdraw the belief that it is a fact” (Schmitz, 2003: 1). Starting from this notion, phenomenology may fruitfully criticise two common strategies: reduction and construction. The first one tries to reduce experiences to allegedly more fundamental processes like electrical impulses in neural nets. Here the phenomenologist must object that in doing so without preceding phenomenological analysis the reductionist will lose large parts of potentially important information. As to the second strategy, constructions — in the sense of presuppositions, ready-made concepts etc. — are present in all texts that are meant to express an experience. In order to describe the underlying experience more adequately, the phenomenological researcher has to remove as many constructions as possible. In this way she does not only produce a description that is ”closer” to the experience (though she can never hope to fully grasp it), but she also paves the way for comparison and dialogue across religions and cultures. (shrink)