Results for 'errancy'

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  1. Ἁμαρτiα, Verfall, Pain. Plato's and Heidegger's Philosophies of Politics and Beyond.Panos Theodorou - 2013 - New Yearbook for Phenomenology and Phenomenological Philosophy:189-205.
    Two seemingly opposing philosophies, Plato’s and Heidegger’s, are brought together by reading the philosophy of politics in the Republic through the existential-analytic lenses of Being and Time and also by using the former in order to explore the philosophico-political potential of the latter. Plato’s thematic of errancy (αμαρτία) is shown to interlock harmoniously with Ηeidegger’s thematic of the fall (Verfall). This provides a single, penetrating interpretation of how philosophy thinks humans are supposed to respond to the predicament of their (...)
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  2. O caminho para a virada: uma interpretação da conferência “Sobre a essência da verdade”, de Martin Heidegger The way to the turn: an interpretation of the conference “On the essence of truth”, by Martin Heidegger.Laurenio Sombra - 2016 - Revista Natureza Humana 18 (1):1-20.
    The Martin Heidegger’s conference “On the essence of truth” was repeatedly pronounced between 1930 and 1932, published in 1943 and continued to be adjusted by the author until the sixties. In many ways, it seems to have a special role as a kind of “hinge” between Heidegger’s Being and Time and after the “turn” [Kehre] of his thinking, process that began precisely from thirties. With such intermediary role, the conference begins with conceptions still addressed from the perspective of Being and (...)
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  3. Raising Atlantis: The Later Heidegger and Contemporary Philosophy.David Kolb - 1995 - In Babette Babich (ed.), From Phenomenology to Thought, Errancy, and Desire. Dordrecht ; Boston: Kluwer. pp. 55-69.
    A discussion of how diggers stance with regard to contemporary analytic and Continental philosophy, with special emphasis on Heidegger's later works. The essay argues that Heidegger has now become attacks that people can interpret in many ways, and so is entered into dialogues which go against his own self-image of what he was about.
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