On the extended mind hypothesis (EM), many of our cognitive states and processes are hybrids, unevenly distributed across biological and nonbiological realms. In certain circumstances, things - artifacts, media, or technologies - can have a cognitive life, with histories often as idiosyncratic as those of the embodied brains with which they couple. The realm of the mental can spread across the physical, social, and cultural environments as well as bodies and brains. My independent aims in this chapter are: first, to (...) describe two compatible but distinct movements or "waves" within the EM literature, arguing for the priority of the second wave (and gesturing briefly toward a third); and, second, to defend and illustrate the interdisciplinary implications of EM as best understood, specifically for historical disciplines, by sketching two case studies. (shrink)

Theories of natural kinds can be seen to face a twofold task: First, they should provide an ontological account of what kinds of (fundamental) things there are, what exists. The second task is an epistemological one, accounting for the inductive reliability of acceptable scientific concepts. In this chapter I examine whether concepts and categories used in the cognitive sciences should be understood as natural kinds. By using examples from human memory research to illustrate my argument, I critically examine some of (...) the main contenders for a theory of natural kinds. I show that when applied to complex target domains – such as human cognition – both essentialist theories and more liberal accounts of natural kindhood (such as HPC theory) fail to simultaneously satisfy the ontological and epistemological desiderata for a theory of natural kinds. I argue, however, that natural kindhood of a category in a metaphysical sense is not necessary for its inductive reliability, and that HPC theory provides an analytically useful account of the grounds of category-based inductive inference. (shrink)

A philosophical analysis of different kinds of memory used in the film Memento.