While much of the scholarship on superhero narratives has focused on the heroes themselves, Batman’s Villains and Villainesses: Multidisciplinary Perspectives on Arkham’s Souls takes into view the depiction of the villains and their lives, arguing that they often function as proxies for larger societal and philosophical themes. Approaching Gotham’s villains from a number of disciplinary backgrounds, the essays in this collection highlight how the villains’ multifaceted backgrounds, experiences, motivations, and behaviors allow for in-depth character analysis across varying levels of (...) social life. Through investigating their cultural and scholarly relevance across the humanities and social sciences, the volume encourages both thoughtful reflection on the relationship between individuals and their social contexts and the use of villains (inside and outside of Gotham) as subjects of pedagogical and scholarly inquiry. (shrink)

Cartesian and Western religious and philosophical traditions distinguish the body from the mind, viewing the former as a prison or a burden. The mind (spirit, soul, rationality) is identified as good, while the body is devalued and associated with evil. Some philosophers restored the body's value: humans are not imprisoned spirits, but they are their bodies. Husserl, for example, claims that human beings are not an immaterial substance in a Körper, a physical body, but Leib, a living body that solves (...) within itself the two Cartesian res. Although the Cartesian legacy survives in the Existentialism in the distinction between In-itself (the passive Being) and For-itself (the human, transcendental freedom), the second does not use the object-body as the res cogitans did: "the very nature of the For-itself demands that it be body." Nevertheless, the body plays an ambivalent role, suspended between Körper's passivity and Leib's transcendence. The chapter's focus on Arkham's female characters is not random. Leder notices that "women have consistently been associated with the bodily sphere. They have been linked with nature, sexuality, and the passions, whereas men have been identified with the rational mind. This equation implicitly legitimizes structures of domination." By associating human categories like "lunatics," "savages," or women with the immanence of the body and nature, their transcendentality is denied, and, simultaneously, men's control and domination over them is justified. (shrink)

The mask's role is central to the superhero narrative. The mask is a non-human identity, which replaces the civilian, human one; sometimes forever. It is what happens to the majority of Gotham's villains. While Batman can take off his mask and at least pretend to be Bruce Wayne, many of his enemies do not have the same privilege. For characters like Two-Face, Joker, Zsasz, and Clayface, the mask is carved directly into their bodies. Like masks, scars can replace one's identity, (...) but deeply and sometimes irreversibly. Bodies and masks play a central role in ancient primitive cultures, especially during initiation rituals. The two elements are distinct, but closely linked. Wearing a mask always implies a modification of the body, or at least of the way it is perceived. Furthermore, marks left on the body, whether temporary like a face paint or definitive like a tattoo, perform a similar function to that of the mask: they replace the individual's identity and communicate a message. The initiation ceremonies destroy a previous identity to create a new one. While an individuum is a Leib, a living body that is becoming and escapes an ultimate meaning, by inflicting pain and scars, the initiation rituals aim to reduce the body to a stable dimension. First an ecstasy, induced by drugs and fasting, and through the infliction of physical pain, shatters the previous identity. The Leib is reduced to the passivity of flesh. Then a new identity is literally written on the body through scars or tattoos, thus receiving an "ultimate" sense and giving him/her a role and a place within society. The scar is a new identity, like a mask carved directly on the body. (shrink)

Study of Batman´s villain Scarecrow through the lens of ancient Stoicism, particularly according to the Stoic theory of passions.