I argue that mass produced artifacts are ontologically distinctive. If we think of the making of an artifact as the imposition of a creative intention on to some matter, usually through intentional manipulation of the matter, then in the case of mass production, one could say that there is not enough mind to go around! Batches of mass produced objects will have a distinctive essence, lying in the creative act by which they are made, but within a batch, the objects (...) will be distinct from each other, but not essentially distinct. (shrink)

Hylomorphically complex objects are things that change their parts or matter or that might have, or have had, different parts or matter. Often ontologists analyze such objects in terms of sets (or functions, understood set-theoretically) or other extensional entities such as mereological fusions or quantities of matter. I urge two reasons for being wary of any such analyses. First, being extensional, such things as sets are ill-suited to capture the characteristic modal and temporal flexibility of hylomorphically complex objects. Secondly, sets (...) are often appealed to because they seem to contain their members. But the idea that sets do contain their members, in the ordinary sense of containment, is a substantive metaphysical position that makes analyses that rely on that idea for their plausibility much more metaphysically committing than is generally thought. (shrink)

Frege's diatribes against psychologism have often been taken to imply that he thought that logic and thought have nothing to do with each other. I argue against this interpretation and attribute to Frege a view on which the two are tightly connected. The connection, however, derives not from logic's being founded on the empirical laws of thought but rather from thought's depending constitutively on the application to it of logic. I call this view 'psycho-logicism.'.