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  1. Opvs Imperfectvm_? Completing the Unfinished Acrostic at Ovid, _Metamorphoses 15.871–5.Gary P. Vos - 2023 - Classical Quarterly 73 (1):243-249.
    This article argues that the incomplete acrostic INCIP- at Ov. Met. 15.871–5 can be completed. If viewed as a ‘gamma-acrostic’, we can supply -iam from line 871, so that it receives its termination in retrospect. Ovid's manipulation of gamma-acrostic conventions caps his persistent confusion of beginnings and endings, and emphasizes the role of the reader as co-creator of his metamorphic œuvre.
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  • An Unnoticed Telestich in Virgil, Aeneid 8.246–9?Gabriel A. F. Silva - forthcoming - Classical Quarterly:1-3.
    The aim of this short note is to highlight a possible, hitherto unnoticed, telestich in Verg. Aen. 8.246–9, which presents the Greek word sēma (‘portent’, ‘wonder’, ‘prodigy’, ‘tomb’). To justify this identification, I will argue for its significance from its context in the poem (the battle between Hercules and Cacus), pointing out the insistence on the imagery of light and revelation, and the use of the phrase mirabile dictu, which appears in the same episode of the Aeneid, in the Latin (...)
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  • Cynthia's Birthday Acrostic (3.10.1–5): Propertius on Elegiac Time and Eternity.Julia D. Hejduk - 2023 - Classical Quarterly 73 (2):714-720.
    This article argues that an intentional acrostic spanning the first five lines of Propertius’ elegy for Cynthia's birthday (3.10), MANE[T], contributes significantly to the poignancy and purpose of the poem. MANE can be read as māne, ‘in the morning’, or manē, ‘stay!’, both of which emphasize the fleeting nature of dawn—and of Cynthia's youthful beauty. MANET can suggest both ‘[art] remains’ and ‘[death] awaits’. All four of these meanings work together to capture the tension between human transience and artistic immortality. (...)
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