Switch to: References

Add citations

You must login to add citations.
  1. The Duchess of Disunity: Margaret Cavendish on the Materiality of the Mind.Colin Chamberlain - 2024 - Philosophers' Imprint 24 (1):1-18.
    Sometimes we love and hate the same thing at the same time. Margaret Cavendish (1623-1673)—the maverick early modern materialist—appeals to this type of passionate conflict to argue that the mind is a material thing. When our passions conflict, the mind or reason conflicts with itself. From this Cavendish infers that the mind has parts and, therefore, is material. Cavendish says this argument is among the best proofs of the mind’s materiality. And yet, the existing scholarship on Cavendish lacks the kind (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Natural Philosophy, Abstraction, and Mathematics among Materialists: Thomas Hobbes and Margaret Cavendish on Light.Marcus P. Adams - 2022 - Philosophies 7 (2):44.
    The nature of light is a focus of Thomas Hobbes’s natural philosophical project. Hobbes’s explanation of the light of lucid bodies differs across his works, from dilation and contraction in Elements of Law to simple circular motions in De corpore. However, Hobbes consistently explains perceived light by positing that bodily resistance generates the phantasm of light. In Letters I.XIX–XX of Philosophical Letters, fellow materialist Margaret Cavendish attacks the Hobbesian understanding of both lux and lumen by claiming that Hobbes has illicitly (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • A Vitalist Shoal in the Mechanist Tide: Art, Nature, and 17th-Century Science.Jonathan L. Shaheen - 2022 - Philosophies 7 (5):111.
    This paper reconstructs Margaret Cavendish’s theory of the metaphysics of artifacts. It situates her anti-mechanist account of artifactual production and the art-nature distinction against a background of Aristotelian, Scholastic, and mechanist theories. Within this broad context, it considers what Cavendish thinks artisans can actually do, grounding her terminological stipulation that there is no genuine generation in nature in a commitment to natural and artistic production as the mere rearrangement of bodies. Bodies themselves are identified, in a conceptually Ockhamist manner, with (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation