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William Ockham

Notre Dame University Press (1987)

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  1. The correspondence theory of truth.Marian David - 2008 - Stanford Encyclopedia of Philosophy.
    Narrowly speaking, the correspondence theory of truth is the view that truth is correspondence to a fact -- a view that was advocated by Russell and Moore early in the 20 th century. But the label is usually applied much more broadly to any view explicitly embracing the idea that truth consists in a relation to reality, i.e., that truth is a relational property involving a characteristic relation (to be specified) to some portion of reality (to be specified). During the (...)
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  • (1 other version)Ockhamism and Philosophy of Time.Alessio Santelli (ed.) - 2022 - Springer Cham.
    This book discusses fundamental topics on contemporary Ockhamism. The collected essays show how contemporary Ockhamism can impact areas of research such as semantics, metaphysics and also the philosophy of science. In addition, the volume hosts one historian of Medieval philosophy who investigates the way in which William of Ockham “in flesh and bone” construed time and, more generally, future contingency. The essays explore the different meanings of this theory. They cover three main topics, in particular. The first examines the thesis (...)
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  • Ockham on Memory and Double Intentionality.Dominik Perler - 2020 - Topoi 41 (1):133-142.
    Ockham developed two theories to explain the intentionality of memory: one theory that takes previously perceived things to be the objects of memory, and another that takes one’s own earlier acts of perceiving to be the objects of memory. This paper examines both theories, paying particular attention to the reasons that motivated Ockham to give up the first theory in favor of the second. It argues that the second theory is to be understood as a theory of double intentionality. At (...)
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  • ‘Archetypes without Patterns’: Locke on Relations and Mixed Modes.Walter Ott - 2017 - Archiv für Geschichte der Philosophie 99 (3):300-325.
    John Locke’s claims about relations (such as cause and effect) and mixed modes (such as beauty and murder) have been controversial since the publication of the Essay. His earliest critics read him as a thoroughgoing anti-realist who denies that such things exist. More charitable readers have sought to read Locke’s claims away. Against both, I argue that Locke is making ontological claims, but that his views do not have the absurd consequences his defenders fear. By examining Locke’s texts, as well (...)
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