This essay examines Locke’s chapter “Of Identity and Diversity” (Essay 2.27) in the context of the series of chapters on ideas of relations (Essay 2.25–28) that precede and follow it. I begin by introducing Locke’s account of how we acquire ideas of relations. Next, I consider Locke’s general approach to individuation and identity over time before I show how he applies his general account of identity over time to persons and personal identity. I draw attention to Locke’s claim that “person” (...) is a forensic term and analyse his arguments for why the sameness of a human being and the sameness of a substance or soul are neither necessary nor sufficient for personal identity. Instead, Locke argues that personal identity consists in sameness of consciousness. Locke regards persons as moral agents who are accountable for their actions. If a person now is held accountable for a past action it is important that the person now is the same person as the person who did the action. This means that moral accountability presupposes personal identity. Additionally, it will be important to consider whether the person deserves reward or punishment for the action. Locke’s account of moral relations, which he develops in Essay 2.28, addresses this issue and I show how it supplements his account of persons and personal identity. (shrink)

This paper aims to clarify Locke’s distinction between simple and complex ideas. I argue that Locke accepts what I call the “compositional criterion of simplicity.” According to this criterion, an idea is simple just in case it does not have another idea as a proper part. This criterion is prima facie inconsistent with Locke’s view that there are simple ideas of extension. This objection was presented to Locke by his French translator, Pierre Coste, on behalf of Jean Barbeyrac. Locke responded (...) to Barbeyrac’s objection, but his response, along with a passage from Chapter XV of Book II of the Essay, “Of Duration and Expansion, considered together,” has been taken to show that he did not accept the compositional criterion. I examine these passages and argue that they are not in tension with but rather affirm that criterion. (shrink)

This volume focuses on Berkeley's doctrine of signs. The 'doctrine of signs' refers to the use that Berkeley makes of a phenomenon that is central to a great deal of everyday discourse: one whereby certain perceivable entities are made to stand in for (as 'signs' of) something else. Things signified might be other perceivable entities or they might also be unperceivable notions - such as the meanings of words. From his earliest published work, A New Theory of Vision in 1710, (...) to those works written towards the end of life, including Alciphron in 1732, Berkeley is at pains to emphasise the crucial role that sign-usage, particularly (but not only) in language, plays in human life. Berkeley also connects sign-usage to our (human) relationship with God: an issue that was right of the heart of his philosophical project. The contributions in this volume explore the myriad ways that Berkeley built on such insights to better understand a range of philosophical issues - issues of epistemology, language, perception, mental representation, mathematics, science, and theology. The aim of this volume is to establish that the doctrine of signs can be seen as one of the unifying themes of Berkeley's philosophy. What's more, this theme is one which spans his whole philosophical corpus; not just his best-known works like the Principles and the Three Dialogues, but also his works on science, mathematics, and theology. (shrink)